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Come stupire un genio: storia di cinque secoli e un quarto d’ora | Roberto Mercadini | TEDxCesena


[Music]

before starting a communication of

service after the test who it was

interested here behind the scenes there

a time machine and me if there

Trust me, I can fly it where you want to go

Well I am a poet a storyteller

theatrical therefore depended on me certain

very clear ideas in mind that maybe and

they also become a bit of mine

activity I would like to set type I do not know

the London of 1600 to see the first

of the shakespeare hamlet with directed by

shakespeare and with shakespeare the funk

a particle with acidity in the part

of the ghost or the athene of the fifth

century ahead of Christ to see the first

the edipo re of sofocles directed by

sofocles or the firenze of the fourteenth century a

see giovanni boccaccio who reads e

comments the divine comedy of Dante

you are spoiled for choice or better

we would be spoiled for choice if

it was going to be like saying

a trip already we go see it

show and go back home

if instead it were to move into

stable plant for some months or from

some years

I would have no doubt and I think that

you should not have even you go

certainly all together in Paris in the

twenties of the twentieth century

a quantity with incredible present

artistic talents but what kind of

talents of geniuses look at you who

wax

Look, we could meet

this gentleman here pablo picasso

salvador dalì all are then there

that gentleman who did not always go in

ride like that

murray is the author of this very picture

famous here together with ali writers of

some ernest hemingway talent

francis scott fitzgerald the great author

Gatsby

then there’s him with the james joyce bandage

the author of the incredible

extraordinarily experimental ulisse and

then there is this gentleman here ezra pound

two words about this gentleman is a poet

US will write a work

considered one of the masterpieces of the

twentieth century in poetry and singing are

116 county where he tries one

crazy experimentation with the language are

written in English but with grafts in

Latin greek ancient French Chinese

translated from Chinese but not later

it is only a great artist is

also a kind of point lighthouse

reference to other brilliant minds

that I’m there with him

he will introduce him to james joyce

sylvia beach that will become his

publisher ernest hemingway future award

nobel will say of pound well we are there

teachers each other something because I

I taught him to pull boxing and

he taught me what to write or not

write then

it was a great environment but among all

those that would press me more than

meet beppe well it would be him

ezra pound is naturally beautiful now

fantasize beautiful daydream of

time machines etc. but we know

all that the machines of the time do not

they exist neither here behind

nowhere else in the world e

probably never will exist is

the only way to have a relationship col

passed and study it now I studying

this extraordinary era by informing ho

I learned something that I did not know myself

they left very much perplexed

perplexed that is that at a certain point e

more precisely in 1925

one of these paul of these inhabitants

of the earthly paradise let’s call it that

he went away he went away from

paris to whom who has done a thing of the

kind is here

ezra pound and where he went to three gone

where he came he would say he came

here in Italy because ezra pound was a

great connoisseur of history was

love the past but one thing I

he haunted him more than he loved

all the others the Italian renaissance

and therefore they entered from here in Italy and goes

to visit the cities that have been

protagonists of the Renaissance and that he

he mentioned in the songs or better in the first ones

16 sing songs of the only singles that

at that time there existed 1925 and between

these cities there is a city that he

he never saw in person but he mentioned

four times four times in the songs

from the eighth to the eleventh, that is, with one

average of once per song is the

city where I was born 39 years ago e

where you are now

cesena

what’s in cesena what’s in cesena

year of grace 1454 is opened to the

public the Malatesta library is

the first civic library of the world la

first civic library in the world

there were other libraries more

ancient but they were deprived of monasteries of

gentlemen that library open to

public every civic library that is

today on earth at that library

as an ancestor in the literal sense in the

literary meaning in the sense that it was born

first now what is a library and a

place where much care is accumulated

the care of the scribes to copy a

code the care of the scholars of the

humanists understand exactly the

meaning of a text the care of the

custodians of course but at some point

a cesena raided something that

he had very little care about the revolution

Napoleonic napoleon in person is

entered in Cesena on horseback and his

soldiers have made litter of the

library in the sense that they have taken off

from the room the books removed the desks

ripped through the walls to make windows more

great in which more light passed

air desecration

but in the twenties of the twentieth century

the then director who was called

manlio torquato duties did work

extraordinary restoration restoration

a work of great great care

closed modern windows made

restore the restored ancient ones e

brought back into the desks and above all

the books when I arrived between pound a

cesena is he who welcomes him

demonstrates the Malatesta as it was in

principle as it was 500 years ago

a kind of guided tour of a

quarter of an hour a jump of a quarter of an hour

five hundred years back in time in

shows this now traveling that many

among you they were in the old part

of the Malatesta library that

obviously in the meantime it was

expanded this part is now called

the audience hall of the architect’s name

you all know that this photo does not make it

justice something really

awesome to be there and

Mostly it seems that for a moment

to the other a humanist of the

five hundred get to study and better

touched data shows this thing is

entry to the man in love with the past

the man who had mentioned four times

cesena without even having ever seen it but

the coup de grace is another but the 84

from take you in about and demonstrate one

engraving on the wall sees Mr. pound and

There are nine letters engraved the UCI has rts

of lucrezia b now signor pound mine

hypothesis is that this is the signature of

lucrezia borgia another character

legendary of the Italian renaissance

what had happened January of 1502

lucrezia borgia at 21 years goes from Rome to

ferrara to marry her third husband

alfonso d’este made up in cesena where

his brother Caesar was reigning

Grand Duke of Romagna

enters in Cesena, they say the news with

a stock of a thousand knights followed by

150 unique bring the gold dowry gems

the bells played precious clothes

shoot the cannons 100 children dressed in

yellow and purple the heraldic colors

of the borgias they run towards it bringing

each an olive branch visits the

city ​​is obviously visiting the

Malatesta Library

the most precious place in the city e

according to me I found him duties leave the

his signature as any girl

is upset he is really fascinated and

the pound from this thing decides to do

a gift a gift to the city of

cesena brings as a gift to the mafia stiana

a book an edition out of commerce

very limited of the sixteen songs it has

written so far writes of his fist in

Italian one dedicates in time that his

friend mario dazi was ezra librarian

pound led to this book as a gift

alla malatestiana as a sign of friendship e

of 65 1925 ep

hydra pound and just below it

page with a slight writing

more minute but the 84 customs note

the original and out of trade in 80

copies not filed in the

national library of paris nor

at that of London but uniquely

at the malatestiana of cesena for

the interest of the Malatesta songs mtd

but I found it sorry data is not

I made a great photograph of them

but it’s between punk and it’s a favor to duties

that his book is left there

along with the others along with the codes

ancient lines lab renaissance art

in the classroom of the utri and this of

facing this request by an artist

so great

Tormented manlio says no

of course

no malatesta library in the classroom

of the loot come must be exactly

as it was 500 years ago they are not allowed

intrusions for how much illustrious and un

great poet no but we talk about cesena in

that poem but the history of the

poetry

no the name of the perfect philology the

name of the cure the name of the dedication

no is the end of a friendship and the

peacock better torqued data yes

they will register for life and in 100

songs that will write later between

pound citera cesena other three times and in

one of these three times will cite

that quarter of an hour

fabulous in which he visited the

Malatesta writing in canto 74

sorry for the pronunciation time from a lucrezia

and not the back of the door on stage a

worcester initials jolie hot in the

malatestiana torqued a rocket that wants

to say more or less came madam

lucrezia ie lucrezia borgia and behind

there are at least no door to the cesena

there were still the initials that beautiful

quarter of an hour in French in

Malatesta in Italian

torquato that is but I found him duties

where you are in archaic English

in short, if I had a car

time

I would go there in the Paris of the twentieth

century and of the 20s although in

reality who was the

He went away to stay

amazed stunned astonished in front

to the place where we are

[Applause]

if you want to see the gift that the poet

made to powerful cesena of course it is not

in the detained classroom is in a safe

but whoever makes the request can

see him see his paper pages

fine the opening words that are decorated

different with each song and above all

see your dedication with your own eyes

moved by pound and the note of the great

granitic 34 duties you will be conducted as

me in a room where at a table

near some restorers take themselves

care of the ancient texts of the codes

medieval

so there in your hands the book of

pound I like to think he can feel

the smell of those books hear the rustle

of their pages of parchment and dreaming

to be with them where he was

I hoped to be admitted I think it

will be happy

[Applause]

”

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