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Photographer’s Journey Part 1: The Real Friday Night Lights | Nat Geo Live


( intro music )

( applause )

Good evening.

Working for the National Geographic

has been the best experience that I can imagine.

It’s hard to translate that into emotion

to something other people can understand.

When I was growing up, I was not the guy

that people would have expected

to have the career of his dreams.

First, I was born in Hays, Kansas.

Which is not the intersection of art, culture, and science.

( audience laughter )

And on top of that

school was really difficult.

Not just hard, but I was dyslexic.

And I had a hard time reading, writing,

anything that had to do with school, except for art,

was difficult for me.

And I have to think back to a family trip

in 1975, in Grand Lake, Colorado.

I took my parents’ camera, I ran down to the lake

and I shot a picture of a sailboat.

But for me it’s ironic that I am essentially doing something

to fill my time, that I was hooked.

So I was lucky. I got to work at Kansas State

at this great newspaper, The Collegian.

And then I got an internship atThe Philadelphia Inquirer.

So, I did a story about Greg Tutt, a boxer

who trained in Joe Frazier’s gym and worked really hard.

I admired his dedication and his hard work.

I remember the article really well.

It ran in the Sunday magazine.

It was written by a well-known writer, Steve Lopez.

And the opening line of the story was

“Greg Tutt is walking through a neighborhood

that’s going nowhere and taking everybody with it.”

And, to me, you know I had to

in a sense compete on the same page

as people who could write like that.

So, it was very important to me to work as hard as I could

to deserve a place at that table.

And working in Philadelphia led me

to another amazing opportunity.

I’d always wanted to work forSports Illustrated.

I’d done a lot of my college work in sports.

A guy named Buzz Bissinger

who was a writer at The Philadelphia Inquirer

won a Pulitzer, and I had heard that

he was leaving the newspaper to go do a book

about high school football in Texas.

And I went up and showed him the work and I said, you know

“You should hire me to go do that work for you.”

And it worked out.

I moved to Odessa, Texas for a while and

shot pictures for a book,Friday Night Lights,

which is, you know, turned into the TV show and the movie

and all these things.

We were looking at race, at the boom-bust cycle of oil,

parents living through their kids.

This is the quarterback of the team, Mike Winchell

who is always kind of a loner

because of all the pressure on him.

And this is still one of my favorite pictures.

Not just from that book but you know

I really enjoyed this picture.

They had 5:30 AM call for football

five days a week, double practices.

They worked harder than most people do.

And then they lost.

They lost to Midland Lee, their archrivals,

which for me, a lot of my sports photography

I enjoy the winning and the losing photos.

I like action pictures, but I was kind of

always more drawn to the emotion in the pictures.

But also there is a serious side to some of the work I was doing.

I live in Williamsburg, Brooklyn

and I was getting ready to leave the country on the 12th

for a trip to Thailand for…

for a story for the magazine.

And, you know, I got a call from my fiancée

and she said, “a plane hit the World Trade Center.”

And I looked at the building, and I could–

I actually had a view of that.

So I ran to the roof of my building.

I got to the roof at like, 8:58 or so.

And, you know, I was just composing the picture

with the smoke going downtown.

These are…

pictures I shot that ran inTIMEmagazine.

I am very conflicted about these images

but it is a very big part of my career.

I’m glad that I did my job correctly.

This horrible situation, it’s a horrible thing to watch.

But I do realize they’re important pictures

and I’m happy that I’ve done work

that is now in history books.

And… I had some pictures in a book about war photography

and exhibited at the Corcoran, there’s a film and there’s a…

military historian talking about my pictures and he said

and I hadn’t thought about it this way at all, he said that

“it’s very rare that you have a picture of a war starting.”

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