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Rigoletto: Verdi’s First Operatic Masterpiece


filled with action drama and death this

filled with action drama and death this opera is one of history’s most enduring

opera is one of history’s most enduring

opera is one of history’s most enduring hi I’m mahalo common and welcome to

hi I’m mahalo common and welcome to

hi I’m mahalo common and welcome to watchmojo.com today we’ll be learning

watchmojo.com today we’ll be learning

watchmojo.com today we’ll be learning more about verdes masterpiece Rigoletto

can you tell us when and who composed

can you tell us when and who composed this opera the most famous italian

this opera the most famous italian

this opera the most famous italian composer revered throughout Italy Verdi

composer revered throughout Italy Verdi

composer revered throughout Italy Verdi in the middle of the 19th century and

in the middle of the 19th century and

in the middle of the 19th century and can you tell us what the plot of the

can you tell us what the plot of the

can you tell us what the plot of the Opera is a court jester Rigoletto who

Opera is a court jester Rigoletto who

Opera is a court jester Rigoletto who has a beautiful daughter that he keeps

has a beautiful daughter that he keeps

has a beautiful daughter that he keeps locked up the daughter is seduced by the

locked up the daughter is seduced by the

locked up the daughter is seduced by the licentiousness and Rigoletto swears that

licentiousness and Rigoletto swears that

licentiousness and Rigoletto swears that he will kill the Duke as punishment for

he will kill the Duke as punishment for

he will kill the Duke as punishment for staining his daughter unfortunately it

staining his daughter unfortunately it

staining his daughter unfortunately it all goes wrong the daughter falls in

all goes wrong the daughter falls in

all goes wrong the daughter falls in love with the Duke it’s her first love

love with the Duke it’s her first love

love with the Duke it’s her first love and she sacrifices her only love in

and she sacrifices her only love in

and she sacrifices her only love in place of the Duke can you tell us where

place of the Duke can you tell us where

place of the Duke can you tell us where the inspiration for the story came about

the inspiration for the story came about

the inspiration for the story came about Victor Hugo play called the king who

Victor Hugo play called the king who

Victor Hugo play called the king who amuses himself which Verde like the

amuses himself which Verde like the

amuses himself which Verde like the theme very much in the play there’s more

theme very much in the play there’s more

theme very much in the play there’s more emphasis on the Duke but in the Opera

emphasis on the Duke but in the Opera

emphasis on the Duke but in the Opera there’s much more emphasis on the court

there’s much more emphasis on the court

there’s much more emphasis on the court jester the Rigoletto and I think to be

jester the Rigoletto and I think to be

jester the Rigoletto and I think to be honest he’s a more interesting character

honest he’s a more interesting character

honest he’s a more interesting character at the Duke is very one-dimensional

whereas rigoletto is multifaceted he’s a

whereas rigoletto is multifaceted he’s a father he’s a tortured paranoid

father he’s a tortured paranoid

father he’s a tortured paranoid individual capable of great love and

individual capable of great love and

individual capable of great love and also capable of a great evil and your

also capable of a great evil and your

also capable of a great evil and your old is Rigoletto it isn’t it can you

old is Rigoletto it isn’t it can you

old is Rigoletto it isn’t it can you tell us when you have to do an opera

tell us when you have to do an opera

tell us when you have to do an opera that’s so well known do you try to make

that’s so well known do you try to make

that’s so well known do you try to make it your own or do you try to stick to

it your own or do you try to stick to

it your own or do you try to stick to the original well you do try and make it

the original well you do try and make it

the original well you do try and make it your own in the sense that you have your

your own in the sense that you have your

your own in the sense that you have your own interpretation and you try as far as

own interpretation and you try as far as

own interpretation and you try as far as possible to follow the intentions of the

possible to follow the intentions of the

possible to follow the intentions of the composer which are very clear in the

composer which are very clear in the

composer which are very clear in the score the problem with an opera like

score the problem with an opera like

score the problem with an opera like Rigoletto is that there are so many

Rigoletto is that there are so many

Rigoletto is that there are so many famous interpretations which stick in

famous interpretations which stick in

famous interpretations which stick in extra high notes they add extra

extra high notes they add extra

extra high notes they add extra coloratura which weren’t actually in the

coloratura which weren’t actually in the

coloratura which weren’t actually in the original at verde composed if you don’t

original at verde composed if you don’t

original at verde composed if you don’t sing in put in certain high notes the

sing in put in certain high notes the

sing in put in certain high notes the audience are going to feel a little bit

audience are going to feel a little bit

audience are going to feel a little bit disappointed can you tell us the themes

disappointed can you tell us the themes

disappointed can you tell us the themes that we can find in this opera it’s sex

that we can find in this opera it’s sex

that we can find in this opera it’s sex love and death it’s quintessential opera

love and death it’s quintessential opera

love and death it’s quintessential opera and the way this is played out it

and the way this is played out it

and the way this is played out it explores the relationship between

explores the relationship between

explores the relationship between fathers and daughters between a girl at

fathers and daughters between a girl at

fathers and daughters between a girl at the start of her adult life if you like

the start of her adult life if you like

the start of her adult life if you like and the power of first love cruelty

and the power of first love cruelty

and the power of first love cruelty sexual license viciousness it’s all

sexual license viciousness it’s all

sexual license viciousness it’s all there there is a very famous area which

there there is a very famous area which

there there is a very famous area which is la donna e mobile a

can you tell us what importance this has

can you tell us what importance this has in this opera it’s a very catchy melody

in this opera it’s a very catchy melody

in this opera it’s a very catchy melody that the Duke sings at the start of Act

that the Duke sings at the start of Act

that the Duke sings at the start of Act three and it’s the equivalent of a pop

three and it’s the equivalent of a pop

three and it’s the equivalent of a pop song it’s the equivalent of the Duke

song it’s the equivalent of the Duke

song it’s the equivalent of the Duke saying this is what I believe any woman

saying this is what I believe any woman

saying this is what I believe any woman is available I’m a sex god I can have

is available I’m a sex god I can have

is available I’m a sex god I can have anybody and very deliberately didn’t

anybody and very deliberately didn’t

anybody and very deliberately didn’t write the music for it but baba

write the music for it but baba

write the music for it but baba ba-ba-ba-ba ba-ba-ba-ba he didn’t write

ba-ba-ba-ba ba-ba-ba-ba he didn’t write

ba-ba-ba-ba ba-ba-ba-ba he didn’t write it down because he didn’t want anybody

it down because he didn’t want anybody

it down because he didn’t want anybody to know it before the opera was

to know it before the opera was

to know it before the opera was premiered and why do you think it’s so

premiered and why do you think it’s so

premiered and why do you think it’s so popular today because it’s powerful

popular today because it’s powerful

popular today because it’s powerful music because it’s extremely well

music because it’s extremely well

music because it’s extremely well written it’s extremely spare there’s

written it’s extremely spare there’s

written it’s extremely spare there’s nothing extraneous and it’s exciting and

nothing extraneous and it’s exciting and

nothing extraneous and it’s exciting and moving at the same time and people love

moving at the same time and people love

moving at the same time and people love to come to the Opera to be moved and to

to come to the Opera to be moved and to

to come to the Opera to be moved and to be excited and this opera delivers all

be excited and this opera delivers all

be excited and this opera delivers all of that well thank you is such a

of that well thank you is such a

of that well thank you is such a pleasure speaking with you sure

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