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The Director, Chris Menaul | Killing Jesus


I read Wayland script and I was very

I read Wayland script and I was very attracted to her because it didn’t seem

attracted to her because it didn’t seem

attracted to her because it didn’t seem to me to be the usual kind of very much

to me to be the usual kind of very much

to me to be the usual kind of very much the Christian Orthodox line on Jesus

the Christian Orthodox line on Jesus

the Christian Orthodox line on Jesus this was a script that was about a man a

this was a script that was about a man a

this was a script that was about a man a real man and I was very interested in

real man and I was very interested in

real man and I was very interested in making film by Jesus that would appeal

making film by Jesus that would appeal

making film by Jesus that would appeal to believers and non-believers it’s got

to believers and non-believers it’s got

to believers and non-believers it’s got huge scope and scale I mean for a

huge scope and scale I mean for a

huge scope and scale I mean for a television film I mean it you know

television film I mean it you know

television film I mean it you know there’s an open 90 speaking parts I’m

there’s an open 90 speaking parts I’m

there’s an open 90 speaking parts I’m not having any of the features I’ve done

not having any of the features I’ve done

not having any of the features I’ve done about anything like that many people so

about anything like that many people so

about anything like that many people so it is a very much of feature scale

it is a very much of feature scale

it is a very much of feature scale project the other thing that I was very

project the other thing that I was very

project the other thing that I was very keen to do was to create a believable

keen to do was to create a believable

keen to do was to create a believable east Mediterranean world two thousand

east Mediterranean world two thousand

east Mediterranean world two thousand years ago which I don’t think many other

years ago which I don’t think many other

years ago which I don’t think many other movies have done they tended to be

movies have done they tended to be

movies have done they tended to be people live very obviously Northern

people live very obviously Northern

people live very obviously Northern European on all North American types it

European on all North American types it

European on all North American types it just sort of didn’t ring true to me so

just sort of didn’t ring true to me so

just sort of didn’t ring true to me so we tried very hard I mean obviously

we tried very hard I mean obviously

we tried very hard I mean obviously they’re as American British actors and

they’re as American British actors and

they’re as American British actors and listen someone who even got blue eyes

listen someone who even got blue eyes

listen someone who even got blue eyes but we did go over all to get a very you

but we did go over all to get a very you

but we did go over all to get a very you know dark Levantine other look that I

know dark Levantine other look that I

know dark Levantine other look that I don’t think any of the other films of

don’t think any of the other films of

don’t think any of the other films of her

her

her and I think it’s to national Geographics

and I think it’s to national Geographics

and I think it’s to national Geographics credit that they let us do that and then

credit that they let us do that and then

credit that they let us do that and then i discard the Christ you know who did

i discard the Christ you know who did

i discard the Christ you know who did look like her and eastern Mediterranean

look like her and eastern Mediterranean

look like her and eastern Mediterranean Levant I’m person I think it’s a

Levant I’m person I think it’s a

Levant I’m person I think it’s a different view of Jesus because I think

different view of Jesus because I think

different view of Jesus because I think he comes over as a real man in a real

he comes over as a real man in a real

he comes over as a real man in a real time and the other thing I guess we

time and the other thing I guess we

time and the other thing I guess we should say is that what this film does

should say is that what this film does

should say is that what this film does more than other films i think is it gets

more than other films i think is it gets

more than other films i think is it gets over the political forces that were at

over the political forces that were at

over the political forces that were at work in the middle east northeast

work in the middle east northeast

work in the middle east northeast mediterranea that at that time which was

mediterranea that at that time which was

mediterranea that at that time which was a time of imperial conquest and kind of

a time of imperial conquest and kind of

a time of imperial conquest and kind of extreme religious agitation it has

extreme religious agitation it has

extreme religious agitation it has enormous resonance with now so i think

enormous resonance with now so i think

enormous resonance with now so i think it does have real kind of contemporary

it does have real kind of contemporary

it does have real kind of contemporary relevance in a way a lot of dumped about

relevance in a way a lot of dumped about

relevance in a way a lot of dumped about clothes don’t

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