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National Geographic Live! – Peter Essick: Ansel Adams Wilderness Revisited | Nat Geo Live


the times we live in today are radically

the times we live in today are radically different from those of the young Ansel

different from those of the young Ansel

different from those of the young Ansel Adams does it still hold true the art in

Adams does it still hold true the art in

Adams does it still hold true the art in nature can be inspirational I believe

nature can be inspirational I believe

nature can be inspirational I believe there will always be the human need for

there will always be the human need for

there will always be the human need for affirmation and inspiration of the kind

affirmation and inspiration of the kind

affirmation and inspiration of the kind immortalized by Adams in his photographs

immortalized by Adams in his photographs

immortalized by Adams in his photographs our spirits our own inner beauty spring

our spirits our own inner beauty spring

our spirits our own inner beauty spring from the same source

from the same source

from the same source it sees rocks trees and reflecting

it sees rocks trees and reflecting

it sees rocks trees and reflecting waters tonight we’re going to talk about

waters tonight we’re going to talk about

waters tonight we’re going to talk about a place sort of the different components

a place sort of the different components

a place sort of the different components about this place the first is the actual

about this place the first is the actual

about this place the first is the actual physical geography of it it was

physical geography of it it was

physical geography of it it was designated one of the first wilderness

designated one of the first wilderness

designated one of the first wilderness areas when the Wilderness Act was passed

areas when the Wilderness Act was passed

areas when the Wilderness Act was passed most of this wilderness is in the higher

most of this wilderness is in the higher

most of this wilderness is in the higher elevation what they call the High Sierra

elevation what they call the High Sierra

elevation what they call the High Sierra the second part I wanted to talk about

the second part I wanted to talk about

the second part I wanted to talk about was the early work of Ansel Adams that’s

was the early work of Ansel Adams that’s

was the early work of Ansel Adams that’s associated with this particular area

associated with this particular area

associated with this particular area this was where Ansel Adams developed his

this was where Ansel Adams developed his

this was where Ansel Adams developed his love of nature was an employee with the

love of nature was an employee with the

love of nature was an employee with the Sierra Club and kind of where he

Sierra Club and kind of where he

Sierra Club and kind of where he mastered his craft of photography the

mastered his craft of photography the

mastered his craft of photography the third part I wanted to try and show some

third part I wanted to try and show some

third part I wanted to try and show some of my work how he influenced me this was

of my work how he influenced me this was

of my work how he influenced me this was a picture that I took in 1977 I had read

a picture that I took in 1977 I had read

a picture that I took in 1977 I had read a lot of the Ansel Adams basic manuals

a lot of the Ansel Adams basic manuals

a lot of the Ansel Adams basic manuals and sort of learned a lot about

and sort of learned a lot about

and sort of learned a lot about photography and the love of landscape

photography and the love of landscape

photography and the love of landscape photography from reading those Ansel

photography from reading those Ansel

photography from reading those Ansel Adams books and then the fourth part was

Adams books and then the fourth part was

Adams books and then the fourth part was obvious the new work that I’ve done this

obvious the new work that I’ve done this

obvious the new work that I’ve done this landscape series this picture I just

landscape series this picture I just

landscape series this picture I just took but we’re sort of in a helicopter

took but we’re sort of in a helicopter

took but we’re sort of in a helicopter hovering over Jun Lake and looking back

hovering over Jun Lake and looking back

hovering over Jun Lake and looking back and up the snowy part in the back there

and up the snowy part in the back there

and up the snowy part in the back there is the Ansel Adams wilderness so I just

is the Ansel Adams wilderness so I just

is the Ansel Adams wilderness so I just had a few the color pictures this is the

had a few the color pictures this is the

had a few the color pictures this is the most remote area in the North Fork of

most remote area in the North Fork of

most remote area in the North Fork of the San Joaquin River the year that I

the San Joaquin River the year that I

the San Joaquin River the year that I was there

was there

was there almost 50 feet of snow in the mountain

almost 50 feet of snow in the mountain

almost 50 feet of snow in the mountain in the foreground there is about Ansel

in the foreground there is about Ansel

in the foreground there is about Ansel Adams there’s actually also a mountain

Adams there’s actually also a mountain

Adams there’s actually also a mountain named after him but it’s unique about a

named after him but it’s unique about a

named after him but it’s unique about a lot of the Ansel Adams wilderness it’s

lot of the Ansel Adams wilderness it’s

lot of the Ansel Adams wilderness it’s metamorphic rock there’s this one little

metamorphic rock there’s this one little

metamorphic rock there’s this one little area it’s not the typical granite that

area it’s not the typical granite that

area it’s not the typical granite that you find a lot of the Sierras and it’s

you find a lot of the Sierras and it’s

you find a lot of the Sierras and it’s amazing water the very clean crystal

amazing water the very clean crystal

amazing water the very clean crystal clear blue water dana lake and the

clear blue water dana lake and the

clear blue water dana lake and the storms that come from the pacific and

storms that come from the pacific and

storms that come from the pacific and they hit the mountains and form these

they hit the mountains and form these

they hit the mountains and form these afternoon thunderstorms and of course

afternoon thunderstorms and of course

afternoon thunderstorms and of course the waters of the main theme Rainbow

the waters of the main theme Rainbow

the waters of the main theme Rainbow Falls and the forests this is one area

Falls and the forests this is one area

Falls and the forests this is one area there’s a Aspen’s also a lot of

there’s a Aspen’s also a lot of

there’s a Aspen’s also a lot of evergreens so I wanted to give a little

evergreens so I wanted to give a little

evergreens so I wanted to give a little bit of the history of how Ansel Adams

bit of the history of how Ansel Adams

bit of the history of how Ansel Adams got involved with this area this is a

got involved with this area this is a

got involved with this area this is a picture of his father on the left and

picture of his father on the left and

picture of his father on the left and mother and Ansel when he was 14 years

mother and Ansel when he was 14 years

mother and Ansel when he was 14 years old and his aunt this is his first trip

old and his aunt this is his first trip

old and his aunt this is his first trip to Yosemite and in his autobiography

to Yosemite and in his autobiography

to Yosemite and in his autobiography Ansel Adams said if he was a kid today

Ansel Adams said if he was a kid today

Ansel Adams said if he was a kid today he would be described as a DD child

he would be described as a DD child

he would be described as a DD child whatever it was he didn’t do well in

whatever it was he didn’t do well in

whatever it was he didn’t do well in school and his father took him out of

school and his father took him out of

school and his father took him out of school in the 8th grade and gave him

school in the 8th grade and gave him

school in the 8th grade and gave him some private tutoring in bottom of piano

some private tutoring in bottom of piano

some private tutoring in bottom of piano and he gave him some piano lessons and

and he gave him some piano lessons and

and he gave him some piano lessons and he took sort of took to that but he also

he took sort of took to that but he also

he took sort of took to that but he also gave him up a brownie camera and it went

gave him up a brownie camera and it went

gave him up a brownie camera and it went to Yosemite and he kind of fell in love

to Yosemite and he kind of fell in love

to Yosemite and he kind of fell in love with the place and by the time he was

with the place and by the time he was

with the place and by the time he was about 20 years old he had gotten this

about 20 years old he had gotten this

about 20 years old he had gotten this job as a caretaker of the LeConte

job as a caretaker of the LeConte

job as a caretaker of the LeConte memorial which is sort of a stone house

memorial which is sort of a stone house

memorial which is sort of a stone house that was sort of the clubhouse of the

that was sort of the clubhouse of the

that was sort of the clubhouse of the Sierra Club in Yosemite Valley it’s

Sierra Club in Yosemite Valley it’s

Sierra Club in Yosemite Valley it’s still there and he also started going on

still there and he also started going on

still there and he also started going on trips he bought his own burro to carry

trips he bought his own burro to carry

trips he bought his own burro to carry his camera equipment and that’s kind of

his camera equipment and that’s kind of

his camera equipment and that’s kind of the way they did it back then and he was

the way they did it back then and he was

the way they did it back then and he was one of the early rock climbers the man

one of the early rock climbers the man

one of the early rock climbers the man on the left is David Brower who was

on the left is David Brower who was

on the left is David Brower who was the longtime head of the Sierra Club and

the longtime head of the Sierra Club and

the longtime head of the Sierra Club and back then they were kids tennis shoes

back then they were kids tennis shoes

back then they were kids tennis shoes and just tied a rope together and they

and just tied a rope together and they

and just tied a rope together and they said if if one a person fell all that

said if if one a person fell all that

said if if one a person fell all that meant is that both of them would die but

meant is that both of them would die but

meant is that both of them would die but say there was no security or AAA it was

say there was no security or AAA it was

say there was no security or AAA it was pretty precarious ties but this is like

pretty precarious ties but this is like

pretty precarious ties but this is like 1930s but his job was to sort of be the

1930s but his job was to sort of be the

1930s but his job was to sort of be the logistics person for the summer high

logistics person for the summer high

logistics person for the summer high sierra trips they call them and it was

sierra trips they call them and it was

sierra trips they call them and it was primarily well-to-do businessmen from

primarily well-to-do businessmen from

primarily well-to-do businessmen from san francisco who really liked the

san francisco who really liked the

san francisco who really liked the Sierras and they would take a whole

Sierras and they would take a whole

Sierras and they would take a whole month off and they would come and

month off and they would come and

month off and they would come and basically camp out and the High Sierras

basically camp out and the High Sierras

basically camp out and the High Sierras and amazingly Adams would you know take

and amazingly Adams would you know take

and amazingly Adams would you know take care of everybody but he would get up

care of everybody but he would get up

care of everybody but he would get up early in the morning and take pictures

early in the morning and take pictures

early in the morning and take pictures and so a lot of the pictures that I’ll

and so a lot of the pictures that I’ll

and so a lot of the pictures that I’ll show you were taken actually during

show you were taken actually during

show you were taken actually during these one-month trips so he came of age

these one-month trips so he came of age

these one-month trips so he came of age in a era of pictorialism and this

in a era of pictorialism and this

in a era of pictorialism and this picture was one of his very first it

picture was one of his very first it

picture was one of his very first it looks kind of strangely modern now sort

looks kind of strangely modern now sort

looks kind of strangely modern now sort of a selective focus pictorialism was

of a selective focus pictorialism was

of a selective focus pictorialism was seen as sort of an imitation of painting

seen as sort of an imitation of painting

seen as sort of an imitation of painting and that’s eventually what people like

and that’s eventually what people like

and that’s eventually what people like Adams our rebelled against we actually

Adams our rebelled against we actually

Adams our rebelled against we actually know now that even before that it was

know now that even before that it was

know now that even before that it was the painters who sort of copied the

the painters who sort of copied the

the painters who sort of copied the camera obscura which is a form of

camera obscura which is a form of

camera obscura which is a form of photography so that’s sort of what

photography so that’s sort of what

photography so that’s sort of what really happened but in this era they

really happened but in this era they

really happened but in this era they used the lens that induced these

used the lens that induced these

used the lens that induced these spherical aberrations and made sort of a

spherical aberrations and made sort of a

spherical aberrations and made sort of a soft focus and was seen as sort of

soft focus and was seen as sort of

soft focus and was seen as sort of imitation of painting but he soon

imitation of painting but he soon

imitation of painting but he soon switched and this is one of his first

switched and this is one of his first

switched and this is one of his first kind of straight pictures and during

kind of straight pictures and during

kind of straight pictures and during this time they used glass plates and the

this time they used glass plates and the

this time they used glass plates and the emulsions were only sensitive to blue

emulsions were only sensitive to blue

emulsions were only sensitive to blue lights so all the skies would turn this

lights so all the skies would turn this

lights so all the skies would turn this sort of white color and it kind of gave

sort of white color and it kind of gave

sort of white color and it kind of gave atmospheric effect but in 1923 they

atmospheric effect but in 1923 they

atmospheric effect but in 1923 they switched to the emulsions where you

switched to the emulsions where you

switched to the emulsions where you could actually photograph by moonlight

could actually photograph by moonlight

could actually photograph by moonlight longer exposures and then the big

longer exposures and then the big

longer exposures and then the big advance was you could actually

advance was you could actually

advance was you could actually photograph clouds which was

photograph clouds which was

photograph clouds which was real important part of the Sierras is

real important part of the Sierras is

real important part of the Sierras is afternoon clouds that build up in the

afternoon clouds that build up in the

afternoon clouds that build up in the summertime so also it seemed to me in

summertime so also it seemed to me in

summertime so also it seemed to me in reading about it there was this big

reading about it there was this big

reading about it there was this big change sort of in his intellectual

change sort of in his intellectual

change sort of in his intellectual thinking it he went from sort of being

thinking it he went from sort of being

thinking it he went from sort of being the school brat and to writing things

the school brat and to writing things

the school brat and to writing things like this this is when some of his words

like this this is when some of his words

like this this is when some of his words from 1923 you said I was climbing the

from 1923 you said I was climbing the

from 1923 you said I was climbing the Long Ridge west of Mount Clark I was

Long Ridge west of Mount Clark I was

Long Ridge west of Mount Clark I was suddenly arrested in the long crunching

suddenly arrested in the long crunching

suddenly arrested in the long crunching path by an exceedingly pointed awareness

path by an exceedingly pointed awareness

path by an exceedingly pointed awareness of the light I saw more clearly than

of the light I saw more clearly than

of the light I saw more clearly than I’ve ever seen before or since the minut

I’ve ever seen before or since the minut

I’ve ever seen before or since the minut detail of the grasses the small float

detail of the grasses the small float

detail of the grasses the small float some of the forests the motion of the

some of the forests the motion of the

some of the forests the motion of the high clouds streaming above the peaks I

high clouds streaming above the peaks I

high clouds streaming above the peaks I dreamed that for a moment time stood

dreamed that for a moment time stood

dreamed that for a moment time stood quietly and the vision became but a

quietly and the vision became but a

quietly and the vision became but a shadow of an infinitely greater world so

shadow of an infinitely greater world so

shadow of an infinitely greater world so the other thing I thought was sort of

the other thing I thought was sort of

the other thing I thought was sort of interesting was he had believed that

interesting was he had believed that

interesting was he had believed that dead trees were more expressive than

dead trees were more expressive than

dead trees were more expressive than live ones so it took quite a few

live ones so it took quite a few

live ones so it took quite a few pictures of dead trees this is kind of a

pictures of dead trees this is kind of a

pictures of dead trees this is kind of a hostile environment when you get into

hostile environment when you get into

hostile environment when you get into high elevations so this is a Foxtel pine

high elevations so this is a Foxtel pine

high elevations so this is a Foxtel pine may have been dead 400 years or so it

may have been dead 400 years or so it

may have been dead 400 years or so it just stays there but he also embraced

just stays there but he also embraced

just stays there but he also embraced not only a rejection of pictorialism but

not only a rejection of pictorialism but

not only a rejection of pictorialism but this embrace of modernism Alfred

this embrace of modernism Alfred

this embrace of modernism Alfred Stieglitz had a saying that said art

Stieglitz had a saying that said art

Stieglitz had a saying that said art should be the affirmation of life and

should be the affirmation of life and

should be the affirmation of life and that’s throughout his whole career he

that’s throughout his whole career he

that’s throughout his whole career he always hung to that that it should be

always hung to that that it should be

always hung to that that it should be affirming he also had a belief he called

affirming he also had a belief he called

affirming he also had a belief he called it extracts he didn’t like with somebody

it extracts he didn’t like with somebody

it extracts he didn’t like with somebody called this picture abstract he thought

called this picture abstract he thought

called this picture abstract he thought that the role of the photographer was to

that the role of the photographer was to

that the role of the photographer was to extract a part of nature he called it to

extract a part of nature he called it to

extract a part of nature he called it to make form from shapes he thought all

make form from shapes he thought all

make form from shapes he thought all nature was just shapes and it was up to

nature was just shapes and it was up to

nature was just shapes and it was up to the artist to make form out of it and to

the artist to make form out of it and to

the artist to make form out of it and to extract and so this was sort of a

extract and so this was sort of a

extract and so this was sort of a radical view for the time if you think

radical view for the time if you think

radical view for the time if you think of a picture like this compared to the

of a picture like this compared to the

of a picture like this compared to the nineteen

nineteen

nineteen century photographers who are survey

century photographers who are survey

century photographers who are survey photographers would go out and their job

photographers would go out and their job

photographers would go out and their job was mainly to go out west survey take

was mainly to go out west survey take

was mainly to go out west survey take these pictures and go back east and show

these pictures and go back east and show

these pictures and go back east and show people what was out there but Adams

people what was out there but Adams

people what was out there but Adams really bought it you should sort of jekt

really bought it you should sort of jekt

really bought it you should sort of jekt your emotional state feelings toward the

your emotional state feelings toward the

your emotional state feelings toward the environment or toward the landscape

environment or toward the landscape

environment or toward the landscape there’s a little bit of a story behind

there’s a little bit of a story behind

there’s a little bit of a story behind this picture it’s called the Michael

this picture it’s called the Michael

this picture it’s called the Michael minaret and one of those well-to-do

minaret and one of those well-to-do

minaret and one of those well-to-do hurly Sierra Club members was named

hurly Sierra Club members was named

hurly Sierra Club members was named Walter Starr and he had a son who is an

Walter Starr and he had a son who is an

Walter Starr and he had a son who is an avid climber and he liked to climb so

avid climber and he liked to climb so

avid climber and he liked to climb so low and unfortunately he fell to his

low and unfortunately he fell to his

low and unfortunately he fell to his death on this Michael minaret and so he

death on this Michael minaret and so he

death on this Michael minaret and so he asked Ansel Adams if he would put

asked Ansel Adams if he would put

asked Ansel Adams if he would put together a book of his best pictures of

together a book of his best pictures of

together a book of his best pictures of the John Muir Trail because his son his

the John Muir Trail because his son his

the John Muir Trail because his son his dream was to write a guide book of the

dream was to write a guide book of the

dream was to write a guide book of the John Muir Trail which still exists it’s

John Muir Trail which still exists it’s

John Muir Trail which still exists it’s called the Stars guide to John Muir

called the Stars guide to John Muir

called the Stars guide to John Muir Trail so that was what made this book

Trail so that was what made this book

Trail so that was what made this book happen in 1938 and it’s really the only

happen in 1938 and it’s really the only

happen in 1938 and it’s really the only book it’s totally written by Ansel Adams

book it’s totally written by Ansel Adams

book it’s totally written by Ansel Adams and has 50 of his photographs the book

and has 50 of his photographs the book

and has 50 of his photographs the book was sold for $15 at the time which is

was sold for $15 at the time which is

was sold for $15 at the time which is quite a bit and there’s only 500 copies

quite a bit and there’s only 500 copies

quite a bit and there’s only 500 copies so this whole early work was from the

so this whole early work was from the

so this whole early work was from the period of around 1920 to 1938 and then

period of around 1920 to 1938 and then

period of around 1920 to 1938 and then after that World War 2 came about and

after that World War 2 came about and

after that World War 2 came about and Ansel Adams had this idea that he would

Ansel Adams had this idea that he would

Ansel Adams had this idea that he would try and do pictures of all the beautiful

try and do pictures of all the beautiful

try and do pictures of all the beautiful places in the America to make people

places in the America to make people

places in the America to make people feel patriotic about their country so he

feel patriotic about their country so he

feel patriotic about their country so he got a commission called the mural

got a commission called the mural

got a commission called the mural project and he bought this car which he

project and he bought this car which he

project and he bought this car which he called Helios and he instead of he

called Helios and he instead of he

called Helios and he instead of he turned in the burro for the car and got

turned in the burro for the car and got

turned in the burro for the car and got the large-format eight-by-ten camera and

the large-format eight-by-ten camera and

the large-format eight-by-ten camera and did a lot of the pictures that he’s

did a lot of the pictures that he’s

did a lot of the pictures that he’s really famous for in some ways they’re a

really famous for in some ways they’re a

really famous for in some ways they’re a grander scope I think than the earlier

grander scope I think than the earlier

grander scope I think than the earlier work he also got a Guggenheim Fellowship

work he also got a Guggenheim Fellowship

work he also got a Guggenheim Fellowship to photograph the National Parks Mount

to photograph the National Parks Mount

to photograph the National Parks Mount McKinley probably one of his more famous

McKinley probably one of his more famous

McKinley probably one of his more famous clearing winter storm

clearing winter storm

clearing winter storm Yosemite so I kind of moved to the third

Yosemite so I kind of moved to the third

Yosemite so I kind of moved to the third part to show you some of my early work

part to show you some of my early work

part to show you some of my early work this was a picture that I took in 1975 I

this was a picture that I took in 1975 I

this was a picture that I took in 1975 I took a photo class when I was a senior

took a photo class when I was a senior

took a photo class when I was a senior in high school and I had a really good

in high school and I had a really good

in high school and I had a really good photography teacher and we actually went

photography teacher and we actually went

photography teacher and we actually went on a field trip up to Yosemite and this

on a field trip up to Yosemite and this

on a field trip up to Yosemite and this was really one of my first pictures I

was really one of my first pictures I

was really one of my first pictures I was taken I had bought a 4×5 camera with

was taken I had bought a 4×5 camera with

was taken I had bought a 4×5 camera with black and white and I went to Death

black and white and I went to Death

black and white and I went to Death Valley because that was another one of

Valley because that was another one of

Valley because that was another one of Ansel Adams favorite hangouts and this

Ansel Adams favorite hangouts and this

Ansel Adams favorite hangouts and this was sort of a detail that I tried and I

was sort of a detail that I tried and I

was sort of a detail that I tried and I look at these pictures they’re not

look at these pictures they’re not

look at these pictures they’re not anything that I’ve you know sold or

anything that I’ve you know sold or

anything that I’ve you know sold or think of my best work but it really

think of my best work but it really

think of my best work but it really makes me feel that this was the type of

makes me feel that this was the type of

makes me feel that this was the type of work that I was originally drawn to the

work that I was originally drawn to the

work that I was originally drawn to the landscape of the western US so what I

landscape of the western US so what I

landscape of the western US so what I did sort of naively I was just the first

did sort of naively I was just the first

did sort of naively I was just the first year in college and I only been

year in college and I only been

year in college and I only been photographing for a year or two I wrote

photographing for a year or two I wrote

photographing for a year or two I wrote to Ansel Adams and asked if I could come

to Ansel Adams and asked if I could come

to Ansel Adams and asked if I could come show him my portfolio up in Carmel and

show him my portfolio up in Carmel and

show him my portfolio up in Carmel and to my surprise he wrote a letter back

to my surprise he wrote a letter back

to my surprise he wrote a letter back which is I learned it he wrote over a

which is I learned it he wrote over a

which is I learned it he wrote over a hundred thousand letters in his life and

hundred thousand letters in his life and

hundred thousand letters in his life and he he had a philosophy he always

he he had a philosophy he always

he he had a philosophy he always answered every letter and that anybody

answered every letter and that anybody

answered every letter and that anybody that wanted to come see him could come

that wanted to come see him could come

that wanted to come see him could come at five o’clock he had a cocktail hour

at five o’clock he had a cocktail hour

at five o’clock he had a cocktail hour at that time and because as long as he

at that time and because as long as he

at that time and because as long as he had his drink and he would talk to you

had his drink and he would talk to you

had his drink and he would talk to you so I actually went there and he signs

so I actually went there and he signs

so I actually went there and he signs sign my book this was in 1977 and one

sign my book this was in 1977 and one

sign my book this was in 1977 and one thing that I remember from it succinctly

thing that I remember from it succinctly

thing that I remember from it succinctly was when he looked at this picture he

was when he looked at this picture he

was when he looked at this picture he said that he thought that I should crop

said that he thought that I should crop

said that he thought that I should crop it differently and he said that it’s

it differently and he said that it’s

it differently and he said that it’s real important along the edges to always

real important along the edges to always

real important along the edges to always have the clean edges so he said to kind

have the clean edges so he said to kind

have the clean edges so he said to kind of go like that it’s a very small

of go like that it’s a very small

of go like that it’s a very small difference but if you look it sort of

difference but if you look it sort of

difference but if you look it sort of makes a little cleaner along the edges

makes a little cleaner along the edges

makes a little cleaner along the edges so I think that’s sort of the modernism

so I think that’s sort of the modernism

so I think that’s sort of the modernism eye that he had through all his work and

eye that he had through all his work and

eye that he had through all his work and if you in a young photographer you

if you in a young photographer you

if you in a young photographer you really can’t go wrong learning that it’s

really can’t go wrong learning that it’s

really can’t go wrong learning that it’s kind of like you know learning classical

kind of like you know learning classical

kind of like you know learning classical music or something it’s timeless and his

music or something it’s timeless and his

music or something it’s timeless and his work sort of stands because he the way

work sort of stands because he the way

work sort of stands because he the way he did his compositions so what happened

he did his compositions so what happened

he did his compositions so what happened after that was I ended up I went to

after that was I ended up I went to

after that was I ended up I went to journalism school at University of

journalism school at University of

journalism school at University of Missouri and was selected as a summer

Missouri and was selected as a summer

Missouri and was selected as a summer intern and started doing some stories

intern and started doing some stories

intern and started doing some stories for the Geographic and this was one of

for the Geographic and this was one of

for the Geographic and this was one of the first ones was on the California

the first ones was on the California

the first ones was on the California desert Protection Act so I felt like

desert Protection Act so I felt like

desert Protection Act so I felt like this is back swervin old stomping

this is back swervin old stomping

this is back swervin old stomping grounds a California desert I am trained

grounds a California desert I am trained

grounds a California desert I am trained as a photojournalist but I’ve used

as a photojournalist but I’ve used

as a photojournalist but I’ve used landscape photography a lot of stories

landscape photography a lot of stories

landscape photography a lot of stories and this isn’t Grand Canyon there’s not

and this isn’t Grand Canyon there’s not

and this isn’t Grand Canyon there’s not too many journalists who’s going to have

too many journalists who’s going to have

too many journalists who’s going to have a background in landscape photographers

a background in landscape photographers

a background in landscape photographers it’s a story about Wilderness Act the

it’s a story about Wilderness Act the

it’s a story about Wilderness Act the wilderness system and this is up in

wilderness system and this is up in

wilderness system and this is up in Alaska up in the Tracy Arm wilderness

Alaska up in the Tracy Arm wilderness

Alaska up in the Tracy Arm wilderness and just way up in Devon Island some of

and just way up in Devon Island some of

and just way up in Devon Island some of these people go out there to study about

these people go out there to study about

these people go out there to study about going to Mars and a high elevation

going to Mars and a high elevation

going to Mars and a high elevation impact crater one of my favorite places

impact crater one of my favorite places

impact crater one of my favorite places down in Torres del Paine a national park

down in Torres del Paine a national park

down in Torres del Paine a national park in Patagonia way down in Tierra del

in Patagonia way down in Tierra del

in Patagonia way down in Tierra del Fuego this was a story about anniversary

Fuego this was a story about anniversary

Fuego this was a story about anniversary Darwin’s expedition on the Beagle Darwin

Darwin’s expedition on the Beagle Darwin

Darwin’s expedition on the Beagle Darwin went to this Pia Bay and we did a story

went to this Pia Bay and we did a story

went to this Pia Bay and we did a story about the 40th anniversary of the

about the 40th anniversary of the

about the 40th anniversary of the National trail system this was aa Sark

National trail system this was aa Sark

National trail system this was aa Sark Island Trail Fraser Island Australia

Island Trail Fraser Island Australia

Island Trail Fraser Island Australia Finland Lanka national park as a moon

Finland Lanka national park as a moon

Finland Lanka national park as a moon light that they call the candlelight

light that they call the candlelight

light that they call the candlelight spruce this was actually for a story on

spruce this was actually for a story on

spruce this was actually for a story on the carbon cycle now the carbon in the

the carbon cycle now the carbon in the

the carbon cycle now the carbon in the calcium carbonate in the shales

calcium carbonate in the shales

calcium carbonate in the shales so these pictures sort of all had a

so these pictures sort of all had a

so these pictures sort of all had a journalistic side to them this was a

journalistic side to them this was a

journalistic side to them this was a story by the climate change is in

story by the climate change is in

story by the climate change is in Switzerland sort of the melting glacier

Switzerland sort of the melting glacier

Switzerland sort of the melting glacier the bathtub ring

the bathtub ring

the bathtub ring the drying lakepowell can you see the

the drying lakepowell can you see the

the drying lakepowell can you see the bathtub ring desert called this Viking

bathtub ring desert called this Viking

bathtub ring desert called this Viking weather because this was Greenland was

weather because this was Greenland was

weather because this was Greenland was getting warmer and it was why the the

getting warmer and it was why the the

getting warmer and it was why the the Vikings had to leave and it got colder

Vikings had to leave and it got colder

Vikings had to leave and it got colder and I’ve also used it on some

and I’ve also used it on some

and I’ve also used it on some environmental stories story about

environmental stories story about

environmental stories story about hardrock mining this was a Superfund

hardrock mining this was a Superfund

hardrock mining this was a Superfund site water pollution in China even in a

site water pollution in China even in a

site water pollution in China even in a Home Depot parking lot in Baltimore this

Home Depot parking lot in Baltimore this

Home Depot parking lot in Baltimore this is that we’re talking about the non

is that we’re talking about the non

is that we’re talking about the non point source water pollution that runs

point source water pollution that runs

point source water pollution that runs off the parking lot into the Chesapeake

off the parking lot into the Chesapeake

off the parking lot into the Chesapeake Bay and these are depleted uranium

Bay and these are depleted uranium

Bay and these are depleted uranium canisters the nuclear waste from Paducah

canisters the nuclear waste from Paducah

canisters the nuclear waste from Paducah the oil sands all the scraping of the

the oil sands all the scraping of the

the oil sands all the scraping of the boreal forests for the oil and this is

boreal forests for the oil and this is

boreal forests for the oil and this is for the drought sort of a landscape of a

for the drought sort of a landscape of a

for the drought sort of a landscape of a marina where there’s no boats or no

marina where there’s no boats or no

marina where there’s no boats or no water and the Yoho National Park just

water and the Yoho National Park just

water and the Yoho National Park just the other side of the Rockies from Banff

the other side of the Rockies from Banff

the other side of the Rockies from Banff and Lake Louise so really a great park

and Lake Louise so really a great park

and Lake Louise so really a great park in the Canadian Rockies okay so now I

in the Canadian Rockies okay so now I

in the Canadian Rockies okay so now I get sort of to the last part just try to

get sort of to the last part just try to

get sort of to the last part just try to explain a little bit of some of the

explain a little bit of some of the

explain a little bit of some of the creative process about this story that I

creative process about this story that I

creative process about this story that I went through this was the lead picture

went through this was the lead picture

went through this was the lead picture that was in the Geographic article and I

that was in the Geographic article and I

that was in the Geographic article and I went through kind of a lot of thought

went through kind of a lot of thought

went through kind of a lot of thought about how to do this how to sort of do a

about how to do this how to sort of do a

about how to do this how to sort of do a tribute and sort of show that I had

tribute and sort of show that I had

tribute and sort of show that I had really been inspired by Ansel Adams but

really been inspired by Ansel Adams but

really been inspired by Ansel Adams but not sort of copy it or not do what

not sort of copy it or not do what

not sort of copy it or not do what sometimes it’s called stand in the same

sometimes it’s called stand in the same

sometimes it’s called stand in the same tripod holes as Ansel and stuff like

tripod holes as Ansel and stuff like

tripod holes as Ansel and stuff like that so the first thing I had to decide

that so the first thing I had to decide

that so the first thing I had to decide was where to do it in black-and-white or

was where to do it in black-and-white or

was where to do it in black-and-white or color and he shooting digital you have a

color and he shooting digital you have a

color and he shooting digital you have a raw file and you can make it color or

raw file and you can make it color or

raw file and you can make it color or black and white I really liked the way

black and white I really liked the way

black and white I really liked the way the black and white that granite just

the black and white that granite just

the black and white that granite just seemed to really come out much more

seemed to really come out much more

seemed to really come out much more forceful and the sculptural qualities to

forceful and the sculptural qualities to

forceful and the sculptural qualities to me really was the right way to do it but

me really was the right way to do it but

me really was the right way to do it but then I still had the

then I still had the

then I still had the figure out I didn’t want to do it

figure out I didn’t want to do it

figure out I didn’t want to do it exactly like Ansel Adams had shot you

exactly like Ansel Adams had shot you

exactly like Ansel Adams had shot you know 75 years ago so I just kind of came

know 75 years ago so I just kind of came

know 75 years ago so I just kind of came up with this idea of sort of referencing

up with this idea of sort of referencing

up with this idea of sort of referencing some of his pictures for people who are

some of his pictures for people who are

some of his pictures for people who are real fans of his work they could look at

real fans of his work they could look at

real fans of his work they could look at it and sort of see that there was a

it and sort of see that there was a

it and sort of see that there was a connection but also see that it was a

connection but also see that it was a

connection but also see that it was a little bit more up to date version of it

little bit more up to date version of it

little bit more up to date version of it the other thing I did was a lot of

the other thing I did was a lot of

the other thing I did was a lot of nature books are divided by the seasons

nature books are divided by the seasons

nature books are divided by the seasons and we decided to just do it by the type

and we decided to just do it by the type

and we decided to just do it by the type of scenery that you would see if you

of scenery that you would see if you

of scenery that you would see if you went there just so you’d sort of focus

went there just so you’d sort of focus

went there just so you’d sort of focus on instead of just you know the

on instead of just you know the

on instead of just you know the summertime or a vacation it would be

summertime or a vacation it would be

summertime or a vacation it would be like you’re looking at certain peaks or

like you’re looking at certain peaks or

like you’re looking at certain peaks or Lakes something these are kind of the

Lakes something these are kind of the

Lakes something these are kind of the peaks baek’s this again that’s the black

peaks baek’s this again that’s the black

peaks baek’s this again that’s the black and white Ansel Adams council Adams

and white Ansel Adams council Adams

and white Ansel Adams council Adams what’s called Cabin Lake this was

what’s called Cabin Lake this was

what’s called Cabin Lake this was another one of those that we looked at

another one of those that we looked at

another one of those that we looked at in color it was actually taken before

in color it was actually taken before

in color it was actually taken before sunrise it was actually sort of flat but

sunrise it was actually sort of flat but

sunrise it was actually sort of flat but when they’re all the same tone in black

when they’re all the same tone in black

when they’re all the same tone in black and white it brings out the granite

and white it brings out the granite

and white it brings out the granite surprised instance to actually see

surprised instance to actually see

surprised instance to actually see little white caps this is up about

little white caps this is up about

little white caps this is up about 10,000 feet maybe about a 30 mile an

10,000 feet maybe about a 30 mile an

10,000 feet maybe about a 30 mile an hour wind there’s also what’s called the

hour wind there’s also what’s called the

hour wind there’s also what’s called the Sierra high trail it sort of follows the

Sierra high trail it sort of follows the

Sierra high trail it sort of follows the John Muir Trail which is this 211 mile

John Muir Trail which is this 211 mile

John Muir Trail which is this 211 mile trail through the Sierras and someone

trail through the Sierras and someone

trail through the Sierras and someone came up with an idea to sort of go that

came up with an idea to sort of go that

came up with an idea to sort of go that same route but not have any trail and so

same route but not have any trail and so

same route but not have any trail and so this is the part out it’s called Nancy

this is the part out it’s called Nancy

this is the part out it’s called Nancy paths and you actually with your pack

paths and you actually with your pack

paths and you actually with your pack and everything it’s sort of a scramble

and everything it’s sort of a scramble

and everything it’s sort of a scramble to get up there but it had a nice nice

to get up there but it had a nice nice

to get up there but it had a nice nice view of the minarets

view of the minarets

view of the minarets another thing that Ansel Adams had this

another thing that Ansel Adams had this

another thing that Ansel Adams had this philosophy that climbing to the top of

philosophy that climbing to the top of

philosophy that climbing to the top of the mountain you don’t get the best view

the mountain you don’t get the best view

the mountain you don’t get the best view and the very bottom of the mountain you

and the very bottom of the mountain you

and the very bottom of the mountain you don’t get the best view but you sort of

don’t get the best view but you sort of

don’t get the best view but you sort of get the best view part way up and so

get the best view part way up and so

get the best view part way up and so that’s what this was sort of about a

that’s what this was sort of about a

that’s what this was sort of about a third way is one of the meadows these

third way is one of the meadows these

third way is one of the meadows these are trees that have been pushed over by

are trees that have been pushed over by

are trees that have been pushed over by the heavy snow and a lot of avalanches

the heavy snow and a lot of avalanches

the heavy snow and a lot of avalanches that could take place

that could take place

that could take place this is sort of idea I had of

this is sort of idea I had of

this is sort of idea I had of referencing back to some of Adams work

referencing back to some of Adams work

referencing back to some of Adams work he took pictures of similar subject

he took pictures of similar subject

he took pictures of similar subject matters this is in the water

matters this is in the water

matters this is in the water wilderness area is very important for

wilderness area is very important for

wilderness area is very important for the state of California because it the

the state of California because it the

the state of California because it the watershed one side comes all the way

watershed one side comes all the way

watershed one side comes all the way down and ends up being the drinking

down and ends up being the drinking

down and ends up being the drinking water for Los Angeles and the other side

water for Los Angeles and the other side

water for Los Angeles and the other side the SAP this is the San Joaquin River

the SAP this is the San Joaquin River

the SAP this is the San Joaquin River this flows down into the Central Valley

this flows down into the Central Valley

this flows down into the Central Valley and this is the wire that’s used for the

and this is the wire that’s used for the

and this is the wire that’s used for the irrigation this water ends up the 60% of

irrigation this water ends up the 60% of

irrigation this water ends up the 60% of it ends up watering lawns in Los Angeles

it ends up watering lawns in Los Angeles

it ends up watering lawns in Los Angeles there’s one area on the east side and

there’s one area on the east side and

there’s one area on the east side and actually starts snowing I went there for

actually starts snowing I went there for

actually starts snowing I went there for the fall colors and the fall colors

the fall colors and the fall colors

the fall colors and the fall colors weren’t even out yet so I ended up

weren’t even out yet so I ended up

weren’t even out yet so I ended up coming back a little bit later this is

coming back a little bit later this is

coming back a little bit later this is the Sierra juniper and the largest trees

the Sierra juniper and the largest trees

the Sierra juniper and the largest trees in the wilderness this was shot by

in the wilderness this was shot by

in the wilderness this was shot by moonlight it’s a kind of picture that

moonlight it’s a kind of picture that

moonlight it’s a kind of picture that was really only possible with a digital

was really only possible with a digital

was really only possible with a digital sensor that’s why I really thought that

sensor that’s why I really thought that

sensor that’s why I really thought that digital was the best way to do a story

digital was the best way to do a story

digital was the best way to do a story like this because I think if Ansel Adams

like this because I think if Ansel Adams

like this because I think if Ansel Adams would alive now he would be using the

would alive now he would be using the

would alive now he would be using the latest technology I actually always

latest technology I actually always

latest technology I actually always thought of fall colors as color

thought of fall colors as color

thought of fall colors as color photographs but I really more and more

photographs but I really more and more

photographs but I really more and more like the way they photograph in black

like the way they photograph in black

like the way they photograph in black and white on the right side is sort of

and white on the right side is sort of

and white on the right side is sort of between the orange and the yellow you

between the orange and the yellow you

between the orange and the yellow you get just a slight delineation and the

get just a slight delineation and the

get just a slight delineation and the print since the creek that comes out of

print since the creek that comes out of

print since the creek that comes out of Parker Lake and I did go there in the

Parker Lake and I did go there in the

Parker Lake and I did go there in the winter this was actually when I went on

winter this was actually when I went on

winter this was actually when I went on the fall trip started sledding on those

the fall trip started sledding on those

the fall trip started sledding on those same aspen trees I think we were the

same aspen trees I think we were the

same aspen trees I think we were the probably the only people in the

probably the only people in the

probably the only people in the wilderness and this time in February and

wilderness and this time in February and

wilderness and this time in February and we had to do what’s called this

we had to do what’s called this

we had to do what’s called this all-terrain skiing which is sort of a

all-terrain skiing which is sort of a

all-terrain skiing which is sort of a hybrid of cross-country and downhill

hybrid of cross-country and downhill

hybrid of cross-country and downhill skiing and I timed it to go in during a

skiing and I timed it to go in during a

skiing and I timed it to go in during a storm which turned out to be good for

storm which turned out to be good for

storm which turned out to be good for photographs but sort of difficult to

photographs but sort of difficult to

photographs but sort of difficult to move around

so we saw this this is what they call a

so we saw this this is what they call a Sierra wave cloud and this kind of means

Sierra wave cloud and this kind of means

Sierra wave cloud and this kind of means oh you know when you see it’s about a 50

oh you know when you see it’s about a 50

oh you know when you see it’s about a 50 mile an hour wind up on this mount Lyell

mile an hour wind up on this mount Lyell

mile an hour wind up on this mount Lyell there and I could just barely stand up

there and I could just barely stand up

there and I could just barely stand up taking this picture holding the tripod

taking this picture holding the tripod

taking this picture holding the tripod down and then it got even worse and then

down and then it got even worse and then

down and then it got even worse and then it got even worse that and this was

it got even worse that and this was

it got even worse that and this was about 70 mile an hour winds and we ended

about 70 mile an hour winds and we ended

about 70 mile an hour winds and we ended up having to dig a snow cave just

up having to dig a snow cave just

up having to dig a snow cave just something I had never done and I was

something I had never done and I was

something I had never done and I was glad I had the people with me too knew

glad I had the people with me too knew

glad I had the people with me too knew how to do that so we stayed in there for

how to do that so we stayed in there for

how to do that so we stayed in there for two nights and I actually just climbed

two nights and I actually just climbed

two nights and I actually just climbed out long enough to take this pictures

out long enough to take this pictures

out long enough to take this pictures about 50 feet away from the opening of

about 50 feet away from the opening of

about 50 feet away from the opening of the snow cave that’s about all we could

the snow cave that’s about all we could

the snow cave that’s about all we could go is really like a whiteout conditions

go is really like a whiteout conditions

go is really like a whiteout conditions I wanted to see what it looked like

I wanted to see what it looked like

I wanted to see what it looked like afterwards so when we got back out I

afterwards so when we got back out I

afterwards so when we got back out I hired a plane and took some pictures

hired a plane and took some pictures

hired a plane and took some pictures from the air so I wrote it afterward so

from the air so I wrote it afterward so

from the air so I wrote it afterward so I just wanted to read a little bit about

I just wanted to read a little bit about

I just wanted to read a little bit about that so the times we live in today are

that so the times we live in today are

that so the times we live in today are radically different from those of the

radically different from those of the

radically different from those of the young Ansel Adams who photographed the

young Ansel Adams who photographed the

young Ansel Adams who photographed the Sierra wilderness times were hard in the

Sierra wilderness times were hard in the

Sierra wilderness times were hard in the 1920s and 1930s but Americans believed

1920s and 1930s but Americans believed

1920s and 1930s but Americans believed that things would get better and

that things would get better and

that things would get better and progress would come technology was seen

progress would come technology was seen

progress would come technology was seen as a way to make life more comfortable

as a way to make life more comfortable

as a way to make life more comfortable and exciting artists devoted to

and exciting artists devoted to

and exciting artists devoted to modernism focused on form is the

modernism focused on form is the

modernism focused on form is the ultimate expression Alfred Stieglitz

ultimate expression Alfred Stieglitz

ultimate expression Alfred Stieglitz summed it up by saying that art should

summed it up by saying that art should

summed it up by saying that art should be the affirmation of life Adams agreed

be the affirmation of life Adams agreed

be the affirmation of life Adams agreed and he also believed that man could live

and he also believed that man could live

and he also believed that man could live in harmony with nature so what are we to

in harmony with nature so what are we to

in harmony with nature so what are we to make of Ansel Adams in our era of

make of Ansel Adams in our era of

make of Ansel Adams in our era of cynicism does it still hold true that

cynicism does it still hold true that

cynicism does it still hold true that art in nature can be inspirational I

art in nature can be inspirational I

art in nature can be inspirational I believe there will always be the human

believe there will always be the human

believe there will always be the human need for affirmation and inspiration of

need for affirmation and inspiration of

need for affirmation and inspiration of the kind immortalized by Adams in his

the kind immortalized by Adams in his

the kind immortalized by Adams in his Sierra photographs our spirits our own

Sierra photographs our spirits our own

Sierra photographs our spirits our own inner beauty spring from the same source

inner beauty spring from the same source

inner beauty spring from the same source as these rocks trees and reflecting

as these rocks trees and reflecting

as these rocks trees and reflecting waters

waters

waters it has not even been a century since

it has not even been a century since

it has not even been a century since Ansel Adams carried his camera on a

Ansel Adams carried his camera on a

Ansel Adams carried his camera on a burro along the trails of the Sierra

burro along the trails of the Sierra

burro along the trails of the Sierra high country in the world of nature that

high country in the world of nature that

high country in the world of nature that was only yesterday thang

”

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