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Proof: William Albert Allard on Capturing Moments | National Geographic


it’s not a normal life the life of a

it’s not a normal life the life of a National Geographic photographer any way

National Geographic photographer any way

National Geographic photographer any way you cut it I mean everybody thinks oh

you cut it I mean everybody thinks oh

you cut it I mean everybody thinks oh it’s just the perfect job and in some

it’s just the perfect job and in some

it’s just the perfect job and in some ways the one side of the corn looks very

ways the one side of the corn looks very

ways the one side of the corn looks very shiny unattractive and right we turn it

shiny unattractive and right we turn it

shiny unattractive and right we turn it over and there’s like stuff underneath

over and there’s like stuff underneath

over and there’s like stuff underneath it deal with you have to care

it deal with you have to care

it deal with you have to care you really have to care it sounds simple

you really have to care it sounds simple

you really have to care it sounds simple Brett well I even get emotional

Brett well I even get emotional

Brett well I even get emotional sometimes my daughter but you cannot do

sometimes my daughter but you cannot do

sometimes my daughter but you cannot do superior work if you’re indifferent how

superior work if you’re indifferent how

superior work if you’re indifferent how are you gonna go yeah you’ve got to care

are you gonna go yeah you’ve got to care

are you gonna go yeah you’ve got to care doesn’t mean you have to love it you

doesn’t mean you have to love it you

doesn’t mean you have to love it you might hate it but there’s got to be some

might hate it but there’s got to be some

might hate it but there’s got to be some driving force there that’s gonna bring

driving force there that’s gonna bring

driving force there that’s gonna bring your work up to the level you want it to

your work up to the level you want it to

your work up to the level you want it to be that passions got to come from with

be that passions got to come from with

be that passions got to come from with them and I think it’s absolutely a

them and I think it’s absolutely a

them and I think it’s absolutely a necessity otherwise it’s just a job you

necessity otherwise it’s just a job you

necessity otherwise it’s just a job you can’t take this job and just put it over

can’t take this job and just put it over

can’t take this job and just put it over here on a shelf as the job and lay up

here on a shelf as the job and lay up

here on a shelf as the job and lay up all the other stuff I want to live right

all the other stuff I want to live right

all the other stuff I want to live right in the middle of my story if I just go

in the middle of my story if I just go

in the middle of my story if I just go out and walk through the story and

out and walk through the story and

out and walk through the story and respond to what I see at that moment I’m

respond to what I see at that moment I’m

respond to what I see at that moment I’m doing a Paris neighborhood well

doing a Paris neighborhood well

doing a Paris neighborhood well obviously I’m gonna live in that

obviously I’m gonna live in that

obviously I’m gonna live in that neighborhood I’m doing a bunch of

neighborhood I’m doing a bunch of

neighborhood I’m doing a bunch of Buckaroo is gonna I’m gonna be in there

Buckaroo is gonna I’m gonna be in there

Buckaroo is gonna I’m gonna be in there cow camp I want to be right in the

cow camp I want to be right in the

cow camp I want to be right in the middle of the story I want to hotel room

middle of the story I want to hotel room

middle of the story I want to hotel room if at all possible that I can maybe make

if at all possible that I can maybe make

if at all possible that I can maybe make a picture of first thing in the morning

a picture of first thing in the morning

a picture of first thing in the morning out my window or the last thing before I

out my window or the last thing before I

out my window or the last thing before I go to bed I’m very much indebted to

go to bed I’m very much indebted to

go to bed I’m very much indebted to serendipity you go out looking for

serendipity you go out looking for

serendipity you go out looking for something you find something that was so

something you find something that was so

something you find something that was so much better than you thought it was the

much better than you thought it was the

much better than you thought it was the difference between a good picture and

difference between a good picture and

difference between a good picture and I’m reading fine picture is very often a

I’m reading fine picture is very often a

I’m reading fine picture is very often a matter of inches of doing this doing

matter of inches of doing this doing

matter of inches of doing this doing this – its how you’re putting that space

this – its how you’re putting that space

this – its how you’re putting that space together and that’s where one sense of

together and that’s where one sense of

together and that’s where one sense of grace and balance come in it it’s how

grace and balance come in it it’s how

grace and balance come in it it’s how you see it’s the old Hemingway off

you see it’s the old Hemingway off

you see it’s the old Hemingway off switch you cut away and kind of way kind

switch you cut away and kind of way kind

switch you cut away and kind of way kind of way get rid of the stuff you don’t

of way get rid of the stuff you don’t

of way get rid of the stuff you don’t need you know it’s responsible for every

need you know it’s responsible for every

need you know it’s responsible for every little bit of that space within the

little bit of that space within the

little bit of that space within the picture but it’s intuitive I don’t sit

picture but it’s intuitive I don’t sit

picture but it’s intuitive I don’t sit there and consciously say won’t you know

there and consciously say won’t you know

there and consciously say won’t you know like the yelling over there I mean it’s

like the yelling over there I mean it’s

like the yelling over there I mean it’s you rap to it you know the lines the

you rap to it you know the lines the

you rap to it you know the lines the angles look away the light and shadows

angles look away the light and shadows

angles look away the light and shadows fall but it’s not complete so I have to

fall but it’s not complete so I have to

fall but it’s not complete so I have to wait for the completion you can’t get

wait for the completion you can’t get

wait for the completion you can’t get them all nobody gets them all very often

them all nobody gets them all very often

them all nobody gets them all very often I leave too soon and then I look over my

I leave too soon and then I look over my

I leave too soon and then I look over my shoulder and there it was you know

shoulder and there it was you know

shoulder and there it was you know hairless seeing that so that’s a joy

hairless seeing that so that’s a joy

hairless seeing that so that’s a joy that’s an absolute joy you’ll say

that’s an absolute joy you’ll say

that’s an absolute joy you’ll say doesn’t did your scene of that you

doesn’t did your scene of that you

doesn’t did your scene of that you didn’t get it but you saw it

didn’t get it but you saw it

didn’t get it but you saw it I mean how lucky can you be to live a

I mean how lucky can you be to live a

I mean how lucky can you be to live a life where you see so many wonderful

life where you see so many wonderful

life where you see so many wonderful things

”

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