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Interview with drummer Jaki Liebezeit


I have learned everything by myself by

I have learned everything by myself by listening

listening

listening most of the things then by thinking and

most of the things then by thinking and

most of the things then by thinking and then by training this experimental

then by training this experimental

then by training this experimental drummer was part of revolutionary 70s

drummer was part of revolutionary 70s

drummer was part of revolutionary 70s krautrock band ken

hi I’m Rebecca Brayton and welcome to

hi I’m Rebecca Brayton and welcome to watchmojo.com and today we’re speaking

watchmojo.com and today we’re speaking

watchmojo.com and today we’re speaking with yaki lipid site

can was revolutionary can you see how

can was revolutionary can you see how the band is influencing today’s music

the band is influencing today’s music

the band is influencing today’s music maybe we were one of the first bands who

maybe we were one of the first bands who

maybe we were one of the first bands who had their own studios we never wrote

had their own studios we never wrote

had their own studios we never wrote music like is like in some writing or so

music like is like in some writing or so

music like is like in some writing or so we had our studio and like a laboratory

we had our studio and like a laboratory

we had our studio and like a laboratory and started working and experimenting

we try to do something else at the time

we try to do something else at the time everything we made is developed kind of

everything we made is developed kind of

everything we made is developed kind of life in in the studio people they say

life in in the studio people they say

life in in the studio people they say they they are influenced by can maybe

they they are influenced by can maybe

they they are influenced by can maybe it’s a way of making music because today

it’s a way of making music because today

it’s a way of making music because today it has become quite normal musicians

it has become quite normal musicians

it has become quite normal musicians have their own studio today because you

have their own studio today because you

have their own studio today because you have some computer and so you can make a

have some computer and so you can make a

have some computer and so you can make a record set home

could you tell us about the live show

could you tell us about the live show versus the reporting process how they’re

versus the reporting process how they’re

versus the reporting process how they’re the same or different it’s not

the same or different it’s not

the same or different it’s not completely the same if we take the

completely the same if we take the

completely the same if we take the essence of the things from the record

essence of the things from the record

essence of the things from the record that means that it has a certain rhythm

that means that it has a certain rhythm

that means that it has a certain rhythm and it has certain melodic structures in

and it has certain melodic structures in

and it has certain melodic structures in it and then we compose it again life in

it and then we compose it again life in

it and then we compose it again life in terms of your music then and now how has

terms of your music then and now how has

terms of your music then and now how has it evolved does the music you play now

it evolved does the music you play now

it evolved does the music you play now with burnt Friedman get the same kind of

with burnt Friedman get the same kind of

with burnt Friedman get the same kind of reaction worldwide or is it more

reaction worldwide or is it more

reaction worldwide or is it more indicative of a European audience

indicative of a European audience

indicative of a European audience actually I don’t care I’m not making

actually I don’t care I’m not making

actually I don’t care I’m not making music for a special audience like for

music for a special audience like for

music for a special audience like for especially young people of for Germans

especially young people of for Germans

especially young people of for Germans for Americans so I don’t care so if

for Americans so I don’t care so if

for Americans so I don’t care so if somebody likes it I’m happy I’ve heard

somebody likes it I’m happy I’ve heard

somebody likes it I’m happy I’ve heard you compare your music to a football

you compare your music to a football

you compare your music to a football game yes yes yes because there are rules

game yes yes yes because there are rules

game yes yes yes because there are rules you have to accept these rules to play

you have to accept these rules to play

you have to accept these rules to play the game and then use you kind of

the game and then use you kind of

the game and then use you kind of improvise you have to develop creativity

improvise you have to develop creativity

improvise you have to develop creativity to do something but keep the rules and

to do something but keep the rules and

to do something but keep the rules and don’t shoot the ball out for me music is

don’t shoot the ball out for me music is

don’t shoot the ball out for me music is similar except there’s no second party

similar except there’s no second party

similar except there’s no second party hood who disturbs you all the time

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