in the National Geographic photo engineering lab a dinosaur comes to life
engineering lab a dinosaur comes to life
engineering lab a dinosaur comes to life shaped from an aluminum cast and
shaped from an aluminum cast and
shaped from an aluminum cast and equipped with a pressure driven mandible
equipped with a pressure driven mandible
equipped with a pressure driven mandible this skull scaled down by 1/3 was built
this skull scaled down by 1/3 was built
this skull scaled down by 1/3 was built to depict the new science of dinosaurs
to depict the new science of dinosaurs
to depict the new science of dinosaurs in a dramatic style the discovery of
in a dramatic style the discovery of
in a dramatic style the discovery of bone fragments in the fossilized feces
bone fragments in the fossilized feces
bone fragments in the fossilized feces of a Tyrannosaurus Rex suggests the king
of a Tyrannosaurus Rex suggests the king
of a Tyrannosaurus Rex suggests the king of dinosaurs actually ingested the crush
of dinosaurs actually ingested the crush
of dinosaurs actually ingested the crush bones of its prey this t-rex was built
bones of its prey this t-rex was built
bones of its prey this t-rex was built in order to demonstrate that theory
in order to demonstrate that theory
in order to demonstrate that theory ostrich bones will be this models
ostrich bones will be this models
ostrich bones will be this models modern-day Neal as the cameras attempt
modern-day Neal as the cameras attempt
modern-day Neal as the cameras attempt to capture the bite force of t-rex when
to capture the bite force of t-rex when
to capture the bite force of t-rex when it’s time to take the picture art
it’s time to take the picture art
it’s time to take the picture art director Chris gnome and photo editor
director Chris gnome and photo editor
director Chris gnome and photo editor Kirk Nesler enlist photographer Rob
Kirk Nesler enlist photographer Rob
Kirk Nesler enlist photographer Rob Clark
Clark
Clark Kurt Marshall and Chris loner in the
Kurt Marshall and Chris loner in the
Kurt Marshall and Chris loner in the same car pool so I know they just think
same car pool so I know they just think
same car pool so I know they just think these things up as they drive home you
these things up as they drive home you
these things up as they drive home you know and like let’s see if you can do
know and like let’s see if you can do
know and like let’s see if you can do that
that
that technically what we’re trying to do is
technically what we’re trying to do is
technically what we’re trying to do is capture the bone exploding in the mouth
capture the bone exploding in the mouth
capture the bone exploding in the mouth of this guy they use several cameras
of this guy they use several cameras
of this guy they use several cameras along with laser triggered strobe lights
along with laser triggered strobe lights
along with laser triggered strobe lights an additional Polaroid camera will let
an additional Polaroid camera will let
an additional Polaroid camera will let them know immediately if it’s all
them know immediately if it’s all
them know immediately if it’s all working
working
working [Music]
[Music]
[Music] we’re going to seconds at f/16 on
we’re going to seconds at f/16 on
we’re going to seconds at f/16 on everything guys laser triggers on the
everything guys laser triggers on the
everything guys laser triggers on the job that Josh shuts the bone explodes a
job that Josh shuts the bone explodes a
job that Josh shuts the bone explodes a stroke a lot one two three
stroke a lot one two three
stroke a lot one two three it’ll take a few bones to get it right I
it’ll take a few bones to get it right I
it’ll take a few bones to get it right I think it doesn’t work everything works
think it doesn’t work everything works
think it doesn’t work everything works except for the bomb at one point it all
except for the bomb at one point it all
except for the bomb at one point it all becomes very technical you do the pop
becomes very technical you do the pop
becomes very technical you do the pop pop pop but you do it when it hits here
pop pop but you do it when it hits here
pop pop but you do it when it hits here and then when the vault bones coming
and then when the vault bones coming
and then when the vault bones coming down you would get the pop pop pop
down you would get the pop pop pop
down you would get the pop pop pop because then it’s in pieces as it goes
because then it’s in pieces as it goes
because then it’s in pieces as it goes up it’s not in pieces so let’s fashion
up it’s not in pieces so let’s fashion
up it’s not in pieces so let’s fashion the bone on the top that goes Kabam
the bone on the top that goes Kabam
the bone on the top that goes Kabam splinters then cut tuck as it goes down
splinters then cut tuck as it goes down
splinters then cut tuck as it goes down on a project like this it’s all about
on a project like this it’s all about
on a project like this it’s all about trial and error lights 1,001 1,002 go
those left paw and with the push of a
those left paw and with the push of a button we have a photographic look at a
button we have a photographic look at a
button we have a photographic look at a t-rex in action
”
Be First to Comment