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Changing the Game in Musical Theatre | Joe Deer | TEDxDayton


[Music]

[Music] there was an earthquake in Manhattan

there was an earthquake in Manhattan

there was an earthquake in Manhattan about a year ago did you hear about it

about a year ago did you hear about it

about a year ago did you hear about it they called it Hamilton and overnight

they called it Hamilton and overnight

they called it Hamilton and overnight everything changed the author lin-manuel

everything changed the author lin-manuel

everything changed the author lin-manuel Miranda was hailed as a genius and even

Miranda was hailed as a genius and even

Miranda was hailed as a genius and even people who don’t like musicals were

people who don’t like musicals were

people who don’t like musicals were spending a month’s rent to try to get a

spending a month’s rent to try to get a

spending a month’s rent to try to get a ticket why

ticket why

ticket why what makes Hamilton the next big thing

what makes Hamilton the next big thing

what makes Hamilton the next big thing in the musical theater for those of you

in the musical theater for those of you

in the musical theater for those of you who haven’t seen it

who haven’t seen it

who haven’t seen it Hamilton is the story of our founding

Hamilton is the story of our founding

Hamilton is the story of our founding fathers told with a hip hop score and a

fathers told with a hip hop score and a

fathers told with a hip hop score and a cast of mostly non-white young actors

cast of mostly non-white young actors

cast of mostly non-white young actors sounds logical right I think a lot about

sounds logical right I think a lot about

sounds logical right I think a lot about the musical theatre so when something

the musical theatre so when something

the musical theatre so when something comes along that changes the game like

comes along that changes the game like

comes along that changes the game like Hamilton I want to know why so let’s put

Hamilton I want to know why so let’s put

Hamilton I want to know why so let’s put it in perspective most musicals even the

it in perspective most musicals even the

it in perspective most musicals even the most successful musicals you’ve seen

most successful musicals you’ve seen

most successful musicals you’ve seen typically follow one of those

typically follow one of those

typically follow one of those well-established forms

well-established forms

well-established forms think of shows like lemierre’s ER habla

think of shows like lemierre’s ER habla

think of shows like lemierre’s ER habla or wicked or even rent each of those

or wicked or even rent each of those

or wicked or even rent each of those follows the well-established pattern but

follows the well-established pattern but

follows the well-established pattern but at an incredibly high level however

at an incredibly high level however

at an incredibly high level however there’s the difference between

there’s the difference between

there’s the difference between commercial success and changing the game

commercial success and changing the game

commercial success and changing the game that only happens about once a

that only happens about once a

that only happens about once a generation and that was the case with

generation and that was the case with

generation and that was the case with Hamilton these game-changing musicals

Hamilton these game-changing musicals

Hamilton these game-changing musicals seem revolutionary but I’ve got news for

seem revolutionary but I’ve got news for

seem revolutionary but I’ve got news for you revolution in art is almost always

you revolution in art is almost always

you revolution in art is almost always evolution

evolution

evolution so those startling features that were so

so those startling features that were so

so those startling features that were so attracted to in these shows have usually

attracted to in these shows have usually

attracted to in these shows have usually been around in one form or another

been around in one form or another

been around in one form or another before they just never been used this

before they just never been used this

before they just never been used this way or this well in my line of work we

way or this well in my line of work we

way or this well in my line of work we talk a lot about revolutionary musicals

talk a lot about revolutionary musicals

talk a lot about revolutionary musicals and you might be surprised that many of

and you might be surprised that many of

and you might be surprised that many of those shows we now think of as the most

those shows we now think of as the most

those shows we now think of as the most traditional were actually as fresh for

traditional were actually as fresh for

traditional were actually as fresh for their audiences as Hamilton is for us

their audiences as Hamilton is for us

their audiences as Hamilton is for us today

today

today think about Oklahoma that great

think about Oklahoma that great

think about Oklahoma that great granddaddy of all the traditional

granddaddy of all the traditional

granddaddy of all the traditional musicals it rocked its audience to the

musicals it rocked its audience to the

musicals it rocked its audience to the core when it brought concert dance on to

core when it brought concert dance on to

core when it brought concert dance on to the musical stage and it rejected the

the musical stage and it rejected the

the musical stage and it rejected the old leggy showgirls Ziegfeld spectacle

old leggy showgirls Ziegfeld spectacle

old leggy showgirls Ziegfeld spectacle to tell the humble story of a Ranch Hand

to tell the humble story of a Ranch Hand

to tell the humble story of a Ranch Hand who wanted to marry the farmers niece

who wanted to marry the farmers niece

who wanted to marry the farmers niece and start a family of their own in a

and start a family of their own in a

and start a family of their own in a brand new state or showboat which took

brand new state or showboat which took

brand new state or showboat which took the dramatic conventions of opera and

the dramatic conventions of opera and

the dramatic conventions of opera and wolf together no less than five popular

wolf together no less than five popular

wolf together no less than five popular music forms to tell the story of racism

music forms to tell the story of racism

music forms to tell the story of racism in America between the end of the Civil

in America between the end of the Civil

in America between the end of the Civil War in 1927 when that show was first

War in 1927 when that show was first

War in 1927 when that show was first produced or hair which finally got rock

produced or hair which finally got rock

produced or hair which finally got rock music and youth culture onto the

music and youth culture onto the

music and youth culture onto the Broadway stage each of those shows took

Broadway stage each of those shows took

Broadway stage each of those shows took some element of popular or high culture

some element of popular or high culture

some element of popular or high culture and brought it into the musical theater

and brought it into the musical theater

and brought it into the musical theater but you know something none of them was

but you know something none of them was

but you know something none of them was the first to try to do so in fact even

the first to try to do so in fact even

the first to try to do so in fact even Hamilton isn’t the first show to bring

Hamilton isn’t the first show to bring

Hamilton isn’t the first show to bring rap and hip-hop on to the Broadway stage

rap and hip-hop on to the Broadway stage

rap and hip-hop on to the Broadway stage anybody ever remember holler if you hear

anybody ever remember holler if you hear

anybody ever remember holler if you hear me or on your toes or always you each of

me or on your toes or always you each of

me or on your toes or always you each of those shows tried these innovations

those shows tried these innovations

those shows tried these innovations first but with game-changing in the

first but with game-changing in the

first but with game-changing in the musical theater it’s about how you do it

musical theater it’s about how you do it

musical theater it’s about how you do it and how well you do it writing a musical

and how well you do it writing a musical

and how well you do it writing a musical a successful musical of any kind is very

a successful musical of any kind is very

a successful musical of any kind is very difficult because the musical theater

difficult because the musical theater

difficult because the musical theater has a huge amount of expectations and

has a huge amount of expectations and

has a huge amount of expectations and obligations that it brings with it think

obligations that it brings with it think

obligations that it brings with it think of Phantom of the Opera one of the most

of Phantom of the Opera one of the most

of Phantom of the Opera one of the most successful musicals of the last 50 years

successful musicals of the last 50 years

successful musicals of the last 50 years phantom tells the compelling story of

phantom tells the compelling story of

phantom tells the compelling story of familiar characters with catchy music

familiar characters with catchy music

familiar characters with catchy music and dance and spectacular design and it

and dance and spectacular design and it

and dance and spectacular design and it does it in a way that isn’t so

does it in a way that isn’t so

does it in a way that isn’t so intellectual or preachy that it chases

intellectual or preachy that it chases

intellectual or preachy that it chases the audience away but it still gives us

the audience away but it still gives us

the audience away but it still gives us that high-calorie emotional boost we

that high-calorie emotional boost we

that high-calorie emotional boost we love with drama romance

love with drama romance

love with drama romance and at least a touch of humor and it

and at least a touch of humor and it

and at least a touch of humor and it does it with broad appeal across all

does it with broad appeal across all

does it with broad appeal across all generations and cultures not just for

generations and cultures not just for

generations and cultures not just for theater geeks like me so give it all

theater geeks like me so give it all

theater geeks like me so give it all that it’s no wonder that most producers

that it’s no wonder that most producers

that it’s no wonder that most producers and creators don’t want to try something

and creators don’t want to try something

and creators don’t want to try something new if it ain’t broke don’t fix it right

new if it ain’t broke don’t fix it right

new if it ain’t broke don’t fix it right but every once in a great while someone

but every once in a great while someone

but every once in a great while someone does come along who truly advances the

does come along who truly advances the

does come along who truly advances the forum and that was the case with

forum and that was the case with

forum and that was the case with Hamilton so how do we know when we’re

Hamilton so how do we know when we’re

Hamilton so how do we know when we’re seeing a game-changing musical

seeing a game-changing musical

seeing a game-changing musical well first a game-changing musical has

well first a game-changing musical has

well first a game-changing musical has to be contemporary

to be contemporary

to be contemporary it must look sound move and feel like

it must look sound move and feel like

it must look sound move and feel like today it doesn’t have to be set today

today it doesn’t have to be set today

today it doesn’t have to be set today but it has to be of today second a

but it has to be of today second a

but it has to be of today second a game-changing musical must reflect the

game-changing musical must reflect the

game-changing musical must reflect the burning social issue of its time

burning social issue of its time

burning social issue of its time Hamilton is about the assimilation of

Hamilton is about the assimilation of

Hamilton is about the assimilation of marginalized immigrants into the

marginalized immigrants into the

marginalized immigrants into the mainstream of society and their positive

mainstream of society and their positive

mainstream of society and their positive impact on the destiny of that society

impact on the destiny of that society

impact on the destiny of that society that’s our burning social moment hair is

that’s our burning social moment hair is

that’s our burning social moment hair is about the way the counterculture of the

about the way the counterculture of the

about the way the counterculture of the 1960s rejected the old post-world War

1960s rejected the old post-world War

1960s rejected the old post-world War two

two

two order to bring a new set of values for

order to bring a new set of values for

order to bring a new set of values for us to live by on the town is about the

us to live by on the town is about the

us to live by on the town is about the vitality of America’s best and brightest

vitality of America’s best and brightest

vitality of America’s best and brightest young men as they celebrate what might

young men as they celebrate what might

young men as they celebrate what might be the last 24 hours of freedom they’ll

be the last 24 hours of freedom they’ll

be the last 24 hours of freedom they’ll ever know before they head into the jaws

ever know before they head into the jaws

ever know before they head into the jaws of death in Europe to defend freedom and

of death in Europe to defend freedom and

of death in Europe to defend freedom and democracy in America every one of those

democracy in America every one of those

democracy in America every one of those shows held up a mirror to its society

shows held up a mirror to its society

shows held up a mirror to its society finally to be a game-changing musical a

finally to be a game-changing musical a

finally to be a game-changing musical a show must create a form that matches the

show must create a form that matches the

show must create a form that matches the subject and this is where Hamilton gets

subject and this is where Hamilton gets

subject and this is where Hamilton gets it so right everyone involved in that

it so right everyone involved in that

it so right everyone involved in that show from the writer

show from the writer

show from the writer lin-manuel Miranda to the director and

lin-manuel Miranda to the director and

lin-manuel Miranda to the director and choreographer the designers and

choreographer the designers and

choreographer the designers and orchestrators all of them conspired to

orchestrators all of them conspired to

orchestrators all of them conspired to create a

create a

create a vital new form really an amalgamation of

vital new form really an amalgamation of

vital new form really an amalgamation of existing forms that satisfies all those

existing forms that satisfies all those

existing forms that satisfies all those expectations we have for commercial

expectations we have for commercial

expectations we have for commercial success but still manages to move the

success but still manages to move the

success but still manages to move the ball down the field in a way we feel

ball down the field in a way we feel

ball down the field in a way we feel we’ve never seen before they took a

we’ve never seen before they took a

we’ve never seen before they took a story we thought we knew and infused it

story we thought we knew and infused it

story we thought we knew and infused it with the music and dance and visual

with the music and dance and visual

with the music and dance and visual aesthetic of hip hop culture the true

aesthetic of hip hop culture the true

aesthetic of hip hop culture the true heartbeat of America today they did it

heartbeat of America today they did it

heartbeat of America today they did it in a way that every middle-aged

in a way that every middle-aged

in a way that every middle-aged businessman every college kid and

businessman every college kid and

businessman every college kid and everybody from virtually any ethnic or

everybody from virtually any ethnic or

everybody from virtually any ethnic or cultural background could identify with

cultural background could identify with

cultural background could identify with and be excited by and feel that they saw

and be excited by and feel that they saw

and be excited by and feel that they saw themselves represented on that stage and

themselves represented on that stage and

themselves represented on that stage and they did it really really well that’s

they did it really really well that’s

they did it really really well that’s why Hamilton is such a game changer now

why Hamilton is such a game changer now

why Hamilton is such a game changer now unless you’re a theater lover like me

unless you’re a theater lover like me

unless you’re a theater lover like me you you might wonder why does any of

you you might wonder why does any of

you you might wonder why does any of this matter well here’s why because the

this matter well here’s why because the

this matter well here’s why because the musical theater is bigger than just

musical theater is bigger than just

musical theater is bigger than just entertainment musicals are an idealized

entertainment musicals are an idealized

entertainment musicals are an idealized view of the world they’re also an

view of the world they’re also an

view of the world they’re also an aspirational vision of what we hope to

aspirational vision of what we hope to

aspirational vision of what we hope to become so every one of those shows I

become so every one of those shows I

become so every one of those shows I talked about captures its national

talked about captures its national

talked about captures its national moment in that time capsule and tells us

moment in that time capsule and tells us

moment in that time capsule and tells us about where we’re heading when we look

about where we’re heading when we look

about where we’re heading when we look at Hamilton maybe it’s not so crazy that

at Hamilton maybe it’s not so crazy that

at Hamilton maybe it’s not so crazy that we’re telling the story of America’s

we’re telling the story of America’s

we’re telling the story of America’s past with a score that sounds like

past with a score that sounds like

past with a score that sounds like America’s present in a cast that looks

America’s present in a cast that looks

America’s present in a cast that looks like America’s future for now we can

like America’s future for now we can

like America’s future for now we can relish everything that Hamilton does so

relish everything that Hamilton does so

relish everything that Hamilton does so well we know that other people are going

well we know that other people are going

well we know that other people are going to pick up that form and maybe even

to pick up that form and maybe even

to pick up that form and maybe even refine it but at some point even

refine it but at some point even

refine it but at some point even Hamilton and those shows that it spawns

Hamilton and those shows that it spawns

Hamilton and those shows that it spawns will be the old thing and when they are

will be the old thing and when they are

will be the old thing and when they are you can bet that some creative young

you can bet that some creative young

you can bet that some creative young woman is going to fight her way up

woman is going to fight her way up

woman is going to fight her way up through the crowd to tell her musical

through the crowd to tell her musical

through the crowd to tell her musical story of America

story of America

story of America next future and changed the game again

next future and changed the game again

next future and changed the game again and I can’t wait

[Applause]

[Applause] [Music]

[Music]

[Music] you

”

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