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When Art and Rock and Roll Collide


I know it’s only rock and roll but i

I know it’s only rock and roll but i like it hi I’m Rebecca Brayton and

like it hi I’m Rebecca Brayton and

like it hi I’m Rebecca Brayton and welcome to watchmojo.com and today we’ll

welcome to watchmojo.com and today we’ll

welcome to watchmojo.com and today we’ll be speaking with Dominic Malone creator

be speaking with Dominic Malone creator

be speaking with Dominic Malone creator of the exhibit sympathy for the devil

of the exhibit sympathy for the devil

of the exhibit sympathy for the devil art and rock and roll since nineteen

art and rock and roll since nineteen

art and rock and roll since nineteen sixty seven of all the rock songs why

sixty seven of all the rock songs why

sixty seven of all the rock songs why did you choose to call this exhibit

did you choose to call this exhibit

did you choose to call this exhibit sympathy for the devil I wanted a title

sympathy for the devil I wanted a title

sympathy for the devil I wanted a title that was familiar to people a title of a

that was familiar to people a title of a

that was familiar to people a title of a song that you know people would

song that you know people would

song that you know people would understand and recognize but also a

understand and recognize but also a

understand and recognize but also a title that kind of alluded to the

title that kind of alluded to the

title that kind of alluded to the subject of the show so sympathy for the

subject of the show so sympathy for the

subject of the show so sympathy for the devil to me ludes to the fact that when

devil to me ludes to the fact that when

devil to me ludes to the fact that when rock music incorporates avant-garde

rock music incorporates avant-garde

rock music incorporates avant-garde strategies it takes a risk of looking

strategies it takes a risk of looking

strategies it takes a risk of looking pretentious or alienating their audience

pretentious or alienating their audience

pretentious or alienating their audience bike becoming perhaps too sophisticated

bike becoming perhaps too sophisticated

bike becoming perhaps too sophisticated on the flip side when when avant-garde

on the flip side when when avant-garde

on the flip side when when avant-garde art when contemporary art engages with

art when contemporary art engages with

art when contemporary art engages with rock music it risks losing sort of

rock music it risks losing sort of

rock music it risks losing sort of seriousness the history of any given

seriousness the history of any given

seriousness the history of any given culture can be learned of course through

culture can be learned of course through

culture can be learned of course through history books but also by tanking in the

history books but also by tanking in the

history books but also by tanking in the art and culture of a specific time and

art and culture of a specific time and

art and culture of a specific time and in the case of the arts and rock and

in the case of the arts and rock and

in the case of the arts and rock and roll of the 1960s onwards these media

roll of the 1960s onwards these media

roll of the 1960s onwards these media may even have had an impact on that

may even have had an impact on that

may even have had an impact on that history as well politics are very much

history as well politics are very much

history as well politics are very much being expressed in the cultural realm

being expressed in the cultural realm

being expressed in the cultural realm you had events like Woodstock that you

you had events like Woodstock that you

you had events like Woodstock that you know not only were important from a

know not only were important from a

know not only were important from a musical standpoint but also from a

musical standpoint but also from a

musical standpoint but also from a political one or even the Altamont

political one or even the Altamont

political one or even the Altamont concert of The Rolling Stones where you

concert of The Rolling Stones where you

concert of The Rolling Stones where you know the Summer of Love kind of dyes

know the Summer of Love kind of dyes

know the Summer of Love kind of dyes where you know the Hells Angels run amok

where you know the Hells Angels run amok

where you know the Hells Angels run amok and start beating up on people in the

and start beating up on people in the

and start beating up on people in the crowd and where you know this sort of

crowd and where you know this sort of

crowd and where you know this sort of promised all the sort of politicized

promised all the sort of politicized

promised all the sort of politicized promise of that moment it suddenly turns

promise of that moment it suddenly turns

promise of that moment it suddenly turns dark and I think that if you look at say

dark and I think that if you look at say

dark and I think that if you look at say similar kinds of events now they’re

similar kinds of events now they’re

similar kinds of events now they’re Saudi politicized there’s so much about

Saudi politicized there’s so much about

Saudi politicized there’s so much about a certain you know commerce they’re

a certain you know commerce they’re

a certain you know commerce they’re about you know anything you know in a

about you know anything you know in a

about you know anything you know in a way but politics but I think because

way but politics but I think because

way but politics but I think because there was such a strong youth movement

there was such a strong youth movement

there was such a strong youth movement at that time you know responding so

at that time you know responding so

at that time you know responding so strongly to you know civil rights issues

strongly to you know civil rights issues

strongly to you know civil rights issues and the Vietnam

and the Vietnam

and the Vietnam or n rock music was really kind of the

or n rock music was really kind of the

or n rock music was really kind of the soundtrack of that generation and so it

soundtrack of that generation and so it

soundtrack of that generation and so it was sort of inevitable that the two

was sort of inevitable that the two

was sort of inevitable that the two would come together and then you know

would come together and then you know

would come together and then you know the fact that rock music starts to kind

the fact that rock music starts to kind

the fact that rock music starts to kind of get involved you know kind of brings

of get involved you know kind of brings

of get involved you know kind of brings it to another dimension the political

it to another dimension the political

it to another dimension the political unrest and social awareness of the 1960s

unrest and social awareness of the 1960s

unrest and social awareness of the 1960s were inspiration to musicians and

were inspiration to musicians and

were inspiration to musicians and artists alike it was only a matter of

artists alike it was only a matter of

artists alike it was only a matter of time before these two media began to

time before these two media began to

time before these two media began to overlap I really wanted to make the show

overlap I really wanted to make the show

overlap I really wanted to make the show about the the real kind of lived overlap

about the the real kind of lived overlap

about the the real kind of lived overlap and collaborations between our art and

and collaborations between our art and

and collaborations between our art and rock music or artists and rock musicians

rock music or artists and rock musicians

rock music or artists and rock musicians and so for me that really starts with

and so for me that really starts with

and so for me that really starts with Andy Warhol Velvet Underground you

Andy Warhol Velvet Underground you

Andy Warhol Velvet Underground you actually start working together in 1966

actually start working together in 1966

actually start working together in 1966 but then released the album the velvet

but then released the album the velvet

but then released the album the velvet underground and nico in 1967 and kind of

underground and nico in 1967 and kind of

underground and nico in 1967 and kind of makes that relationship between art and

makes that relationship between art and

makes that relationship between art and rock and roll a more formal one it’s

rock and roll a more formal one it’s

rock and roll a more formal one it’s also the year that the beatles released

also the year that the beatles released

also the year that the beatles released sergeant pepper’s Lonely Hearts Club

sergeant pepper’s Lonely Hearts Club

sergeant pepper’s Lonely Hearts Club Band when Jimi Hendrix releases are you

Band when Jimi Hendrix releases are you

Band when Jimi Hendrix releases are you experienced when the rock music is

experienced when the rock music is

experienced when the rock music is actually being very serious and

actually being very serious and

actually being very serious and incorporating all these avant-garde

incorporating all these avant-garde

incorporating all these avant-garde musical strategies and being recognized

musical strategies and being recognized

musical strategies and being recognized by music critics and the press as as no

by music critics and the press as as no

by music critics and the press as as no longer being something that’s just like

longer being something that’s just like

longer being something that’s just like music kids dance to but it’s actually

music kids dance to but it’s actually

music kids dance to but it’s actually supposed to be taken seriously

”

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