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La musique, un art de vivre dans la cité | Gilles Delebarre | TEDxIssylesMoulineaux


[Music]

the name is an essential marker of

identity

it’s true for the proper names I am

quite happy with mine I thank my

parents

gilles refers to the shield of athena which

used to break through to defeat the infamous

gorgon jellyfish the name of the project of which I

you speak and demos what is at the

times an acronym education device

musical and orchestral vocation

social

a reference to Greek antiquity

and of course to democracy the project

demos gives the opportunity to children

who live in popular neighborhoods

to collectively discover music

classical

we understand right away that it’s happening

something unusual

the classic and popular words serving

usually to form categories

distinct classical art opposes art

popular and it’s particularly

true when it comes to music and

yet these are the children who

live in popular neighborhoods

popular is one of the names we use

it is surely the most neutral

we use others that are a lot

more intellectually mastered as

concentrating social difficulties or

political class of the city and we

sometimes uses that they are actually

stigmatizing as in trouble

difficult sensitive

yet these young people are playing

haydn mozart of the veto with them for

that he uses violin flutes

violence they or both

pianos have no piano and

are defeated who takes care of this project

Well, it’s the Philharmonic of Paris

when we come to speak who is one

emblems of prestige and

musical excellence in our country

and why what is the meaning of this

action

when we refer to

Greek antiquity

you have to be able to answer the

question otherwise socrates risk in his

2 out of 9 us quai so I’m going to talk to you

two-way and I’m going to try to

start answering the question in

telling you a story the story

of a young boy he is not so young

today that’s called his career

zakaria is one of those children that

it is called agitating or difficult

I want to tell you that in the

neighborhoods of which he is

question

the restless and difficult children are not

not that many and that we can

even often distinguish at home

ability to get excited

listening to the princesses’ round of

stravinsky far superior to

reactions that children can have

living in neighborhoods let’s say

classic and who are often taking

often jaded

because they often take a look

jaded but very difficult carriet

zakaria missed attention he disturbed

the concentration of his comrades and he

had sudden gestures that have

led in the three years that he has

participated in the project he entered at

the age of 10 he stayed up

13 years old and what was planned and well

at kariat managed to break two

cellos during this project one of the

musicians who became a friend

today one of his musicians 10th

and what is he doing here

gilles is taking it out of the project either

possible he does not lack attention he

is not interested in either the others or

the music is obvious that it is not necessary

not that he remains the director of the center

social in which zakaria been

enrolled told me exactly the

opposite

he became a friend too today

and he told me gilles he must

rest it’s the first time I

see zakaria follow an activity of

assiduous way

he does not miss any session he is

always on time there is something

thing then I realized that

it would have been a failure of the project a

absolute defeat was so zakaria

left so he stayed and to help him

to accompany him we appealed

the services of a music therapist

Italian who lives in Paris and who

brilliantly helped her to progress to

change of behavior has gained in

attention and and yes it was starting to

walk but that’s a new hurdle a

television show on a big

national channel at 52 minutes

what luck and good during these

fifty two minutes

zakaria was the negative figure of the

project that mark the limits of our

inclusion abilities through music

fourteen negative thinking count

share recorded by us on

all of his appearances in the

documentary is the opposite another

boy who was the subject of

all positive comments black handsome

wise playing the trumpet and

obviously to whom we compare a black

who plays trumpet and bahamas

davis when they have no trumpet they

have sense of rhythm it seems so I

let you imagine the head of zakaria

when he saw the movie because he

seen the movie of course but by

luck all ended well as

the beautiful stories since the

educational community that were

around him made sure that he

go to the end of the project is bound

east so positively so

at the end of the project said

in a documentary we have

realized ourselves he said

I would have done something good in

my life I would have played cello

he did not do that well in his

life zakaria today 16 years old and lamy

social blood director whom I have you

spoken clearly told me that he was

perfectly integrated into the life of the

neighborhood and that he was involved in the

associative life especially via the center

social in question a single dropouts

you miss it and all the democracy is

disturbed that’s why it was not necessary

not exclude a cart I’m going

continue to answer this question

meaning in the project demos is talking to you

by telling you a bit about my life

speaking of my personal journey am

entered very quickly in a course of

pedagogue of music but I do not

did not know clearly what animated me

I did not know exactly why I

did that and I think the moment of

revelation end of the month I am

remember like that on this issue of

meaning came from a course

at the university paris xiii where the

composer ahmed essyad did us

hear a rough piece that is the

Catalan Oriental Lute

I was listening to this piece I understood

not everything I was myself a guitarist

I played with many jazz guitar

at the time and on hearing it I am

said it looks like something

I master it looks like the

language that I use to play the

music but that’s not exactly the

same thing

did not understand

reinforced the feeling of emotion that

I had listening to the piece and this

day there I think it’s clearly

that day that I wrote in my

head

a principle that guided I believe any

my career then human beings

are essentially similar but they

the ability to vary infinitely on

the same fundamentals

and to illustrate his I had to

to do very quickly without microphone I

brought a musical instrument I’m going

to look for them right behind who is

an instrument that has gone down in history

and you will understand that you are going

hear me tell them

demonstration are just gestures

for that I do not really play but

for you to understand the principle there is

a very strong link between language

emotion and transferability

in what’s in the human being and

this gesture date from between 10 and 20 thousand

years old I show you

he arises by mira

[Music]

[Applause]

I became convinced that

artistic education is absolutely

essential to the development of

individuals but it’s not only that

but I also believe that she is

absolutely essential to favor

an education in otherness

respect for otherness

it’s been 35 years since I

revolves around this idea and at

early I was great because

I thought I found something

great and actually it’s a trick

great but I realized

that I was far from the only one

have watched the things of this

way

I studied, for example, all

the humanist thinkers who put this

question of artistic education at

heart of steel formation of a young

citizen so this is the case of thinkers

lights of course

thinkers like tagore who is a big

Indian figure from the beginning of the twentieth

century a little overshadowed by gandhi and

he was a philosopher a writer

poet composer he is the author of

the Bengal hymn the Indian anthem and he

was also dancer here and we

find the same educational principles

it’s also in the writings of John

duty and his successors who have

deeply marked the system

American educational is today

it’s humanist current

represents the path of resistance

to the obscurantist and alarmist sirens

contemporary so I’m referring to these

currents of thought is for me the

demos project aims to protect

humanity yes I go downright

when I pronounced this sentence in front of

monique colleagues go a little hard

purpose of protecting humanity by

helping to reduce the number of

those who think that a human being can

to be inferior and who can go

until you want to eliminate it from the

surface of the planet but on the contrary

to increase the number of those who are

able to detect the like in

another human being and who make

that something that inhabit them in

permanence in all their social life

that’s why it’s important in

educational projects only like the one that

I I lead that children can

realize

even though the gold repertoire

privileged and classical music that

how much man and musicians so

we introduce in their program

references to the music of india

where or to the music of the Arab world

not for eclecticism but for this

idea realize how much

the man is a musician and how much

we are human beings it is

really what lives in us

permanence but the fact that it is

classical music

inside two project pros

demos is also something

fundamental because to come back to

zakaria to children and families of

these popular neighborhoods very often

when they approach this music

they say they are not for us

is it not for us can very

well turn into the us against

them that thwarted all hopes

that we have here with all these

projects that showcase the living

together

[Applause]

”

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