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Up Close and Personal | National Geographic


I think I’ll always be photographing

I think I’ll always be photographing horses I can’t imagine not photographing

horses I can’t imagine not photographing

horses I can’t imagine not photographing them you know the great subjects their

them you know the great subjects their

them you know the great subjects their their stunning subjects I think a lot of

their stunning subjects I think a lot of

their stunning subjects I think a lot of artists have been drawn to them I bring

artists have been drawn to them I bring

artists have been drawn to them I bring the studio to them

the studio to them

the studio to them I suppose I’m creating my own

I suppose I’m creating my own

I suppose I’m creating my own environment for the horses I think by

environment for the horses I think by

environment for the horses I think by doing that you’re you’re kind of really

doing that you’re you’re kind of really

doing that you’re you’re kind of really isolating them and making them stand out

the shop that I entered International

the shop that I entered International Geographic was of a flea-bitten gray it

Geographic was of a flea-bitten gray it

Geographic was of a flea-bitten gray it was a pure Arab we had this kind of

was a pure Arab we had this kind of

was a pure Arab we had this kind of Seabreeze come in which is sort of

Seabreeze come in which is sort of

Seabreeze come in which is sort of blowing the the main around and the

blowing the the main around and the

blowing the the main around and the sunlight came out and just burst into

sunlight came out and just burst into

sunlight came out and just burst into the shot I remember the horse just swung

the shot I remember the horse just swung

the shot I remember the horse just swung his head round and I was using quite a

his head round and I was using quite a

his head round and I was using quite a big zoom lens and I had to sort of throw

big zoom lens and I had to sort of throw

big zoom lens and I had to sort of throw myself back to try and squeeze

myself back to try and squeeze

myself back to try and squeeze everything into the shot and I think I

everything into the shot and I think I

everything into the shot and I think I was just waiting for that that rice I

was just waiting for that that rice I

was just waiting for that that rice I just come in it was bang and just

just come in it was bang and just

just come in it was bang and just quickly get that shot I think with these

quickly get that shot I think with these

quickly get that shot I think with these sheets you know you you have certain

sheets you know you you have certain

sheets you know you you have certain things in mind that you want to get out

things in mind that you want to get out

things in mind that you want to get out of the shoot but ultimately that the

of the shoot but ultimately that the

of the shoot but ultimately that the horse really dictates and controls the

horse really dictates and controls the

horse really dictates and controls the sheets you know you can’t direct the

sheets you know you can’t direct the

sheets you know you can’t direct the horse all that well into the light but

horse all that well into the light but

horse all that well into the light but just a little bit further away from us

just a little bit further away from us

just a little bit further away from us you know that the big animals and they

you know that the big animals and they

you know that the big animals and they pretty much do what they want to do so I

pretty much do what they want to do so I

pretty much do what they want to do so I think you’ve got to keep looking through

think you’ve got to keep looking through

think you’ve got to keep looking through the lens and I’m waiting for you know a

the lens and I’m waiting for you know a

the lens and I’m waiting for you know a good composition for the lights Peters

good composition for the lights Peters

good composition for the lights Peters right and and just certain moments to

right and and just certain moments to

right and and just certain moments to happen but you can never really tell

happen but you can never really tell

happen but you can never really tell what they are until until you just see

what they are until until you just see

what they are until until you just see it through the lens and you do and you

it through the lens and you do and you

it through the lens and you do and you just have to take photo it’s great to

just have to take photo it’s great to

just have to take photo it’s great to try and get some feedback from somebody

try and get some feedback from somebody

try and get some feedback from somebody whose opinion you really value and he

whose opinion you really value and he

whose opinion you really value and he doesn’t really gets any any best the

doesn’t really gets any any best the

doesn’t really gets any any best the National Geographic you know so that’s

National Geographic you know so that’s

National Geographic you know so that’s it’s wonderful to to sort of be told yes

it’s wonderful to to sort of be told yes

it’s wonderful to to sort of be told yes I’m heading in the right direction

I’m heading in the right direction

I’m heading in the right direction you

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